Distortion, Overdrive, Fuzz

MXR CSP039 DUKE OF TONE OVERDRIVE
Designed in conjunction with indie pedal builder Analog Man, the MXR Duke of Tone Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine.

Designed in conjunction with indie pedal builder Analog Man, the MXR Duke of Tone Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine. Based on the Prince of Tone Overdrive, the single-channel version of the King of Tone Overdrive, this pedal is a vintage connoisseur’s dream come true. Analog Mike personally tested and matched all of the various thru-hole components to the King of Tone Overdrive, ensuring that sweet sonic seasoning stays in the line of succession: a warm-yet-clear-and-open sound that allows all of the nuances of your signal chain to come through, from your individual guitar strings to the dynamics of your amp’s tubes.

The Duke of Tone Overdrive likewise carries forward the same simple-yet-effective control interface. Volume, Drive, and Tone knobs cover all your basic tweaks while the Boost/OD/Distortion switch allows you to set the overall attitude of the pedal’s output. Boost mode gives you a clean-yet-vigorous bump, OD mode adds a touch of grit and compression, and Distortion mode adds a touch more of each. In all modes, your rig still sounds like your rig. Don’t be afraid to get creative—the Duke of Tone Overdrive is excellent when stacked with other gain pedals, and running the pedal on 18V will give you an extra helping of headroom and clarity, especially in Boost mode. For a sound that’s yours, but only more of it, you can’t do better than the Duke of Tone Overdrive from MXR and Analog Man. Put one on your pedalboard, and elevate your signal chain.

Regular Price: $214.27

Guaranteed Best Price: $149.99
MXR Dookie Drive V4
This pedal captures the dirty yet articulate sound Billie Joe Armstrong used on Green Day’s iconic record Dookie, combining the sounds of two modded amplifiers into a single stomp box for a harmonic range full of depth and dimension. We’ve dressed this special edition version up with a finish that speaks to the explosive impact of that album and the explosive sonic potential of its namesake pedal.
- • Limited Edition Global Availability: 1000
- • Get the dirty, punchy overdrive sound that Billie Joe Armstrong used on
- Green Day’s Dookie
- • Captures the tones of both of Billie Joe’s custom amplifiers in a single pedal
- • High Gain section supplies tons of scooped gain
- • Crunch Gain section serves up a well-defined midrange
- • Blend the two sounds together just like Green Day did in the studio
- • Unique circuit design built from the ground up by the award-winning MXR team
- • Special edition artwork
- • Limited Edition Global Availability: 1000
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Regular Price: $285.70

Guaranteed Best Price: $199.99
MXR EVH 5150 Overdrive with Noise Gate
The MXR design team has collaborated with Eddie Van Halen to deliver a full range of powerful saturation and hyper-driven tones right at your feet. The resulting EVH 5150™ Overdrive joins hand-adjusted multi-stage MOSFETs with a full complement of controls to deliver overdriven tube-like tones and exceptional sonic flexibility through a wide variety of amps and speaker cabinets.
Whether on stage or in the studio, the EVH 5150 Overdrive’s controls dial up the whole spectrum—from Eddie’s groundbreaking early classic tones to the high gain, super-articulate sound he uses today. Output and Gain controls set your volume and distortion levels, while the 3-band passive tone stack EQ section shapes your sound to taste. The Boost switch kicks the 5150 Overdrive into high gear with extra gain and compression, and the Gate control—powered by the Smart Gate® circuit—tames unwanted noise.
The EVH 5150 Overdrive features true bypass switching and comes in a road-worthy housing emblazoned with custom EVH artwork.

Regular Price: $285.70

Guaranteed Best Price: $199.99
MXR M75 Super Badass Distortion Pedal
The Super Badass Distortion puts decades of 100% analog distortion at your feet. With its highly responsive Distortion control, the Super Badass covers a full spectrum, from early ’70s low gain overdrive to modern “scooped” metal distortion and every shade of dirt in between. Once you’ve dialed in your desired amount of crunch, you can use the Bass, Mid, and Treble controls to finely sculpt your sound. The Super Badass Distortion features true bypass switching and comes ready for the road with the sturdy housing and durable components that MXR is known for.

Regular Price: $149.99

Guaranteed Best Price: $129.99
MXR M80 Bass DI+
Finally, all the essentials in one tough little box. You need a serious D.I. for playing live and laying down killer tracks. You've got to have a preamp and finely tuned EQ to add punch to your tones. And you definitely can't do without some rich, custom distortion. This one-of-a-kind pedal gives you the whole deal in a bomb-proof enclosure that will survive even the most out of control gigs-and players. Built with the highest quality components, the M-80 can give you eve everything from warmth and transparency to a volcanic roar, without making you scroll through menu screens or an indecipherable manual. Engage the color switch for some sweet preset EQ, then tweak your tone with three band control. Dial in your ideal distortion with the gain knob and blend just the right amount into your clean signal, then kick it on and off at will. The adjustable noise gate pours on the sustain and cuts out hum and hiss. With XLR and parallel 1/4" outputs and a phantom power switch, you'll never have a problem delivering your choice new tones.

The Bass D.I.+ features a D.I., separate clean and distortion channels, an array of controls to fine-tune your sound, and a noise gate trigger control to eliminate hum and hiss.

This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).

Regular Price: $228.56

Guaranteed Best Price: $189.99
MXR Wylde Audio Overdrive
Celebrate the 20th anniversary of the explosive collaboration between Dunlop and Zakk Wylde with the MXR Wylde Audio Overdrive. Custom built for Zakk’s loud, tough, and relentless riffs and leads, this muscular stomp box will transform your amp into a heavy, chunky crunch machine. With a simple Output, Tone, and Gain control layout, setup is fast and easy so that you can concentrate on the important business at hand—kicking major sonic ass. Zakk likes to stick it in front of a dirty amp and kick into full-on screaming lead tones with sustain that lasts for days.
Whether on his groundbreaking work with Ozzy Osbourne or with his own Black Label Society, Zakk Wylde's guitar playing is loud, tough, and relentless. Zakk's take-no-prisoners attitude extends to his quest for tone, too. When he wanted to develop his signature overdrive pedal, he looked no further than Dunlop. The result is the new Wylde Overdrive. This muscular stompbox will turn your clean amp into a heavy, chunky crunch machine. Or, use it like Zakk does and kick it in front of a dirty amp for a screaming, sustaining lead tone. The three simple controls—Output, Tone, and Drive—make getting up and running easy, so you can concentrate on the business at hand: kicking major ass. Power: Single 9-volt battery or Dunlop ECB-003 AC Adapter - Controls: * Footswitch toggles effect on/hardwire bypass (red LED indicates on) * Output knob sets total output level * Drive knob controls amount of distortion * Tone knob tailors overall EQ

GD

Price: $129.99
MXR x THIRD MAN HARDWARE DOUBLE DOWN
The Double Down Pedal’s single input jack splits your signal to two separate outputs, each with its own Gain control for up to +26dB of signal-boosting power. On the left side of the housing is a Phase switch that adds a pronounced stereophonic effect by inverting the phase of the second output signal. On the right side of the pedal is a Buffer switch so that you can choose between true bypass—for the purists—and buffered bypass switching to keep your sound intact when driving two signal chains.
Plug into the Double Down Pedal from MXR and Third Man Hardware, and double boost your double stack. Slick black finish now available straight from Dunlop.

Regular Price: $242.84

Guaranteed Best Price: $169.99
NUX Fireman Analog Dual Distortion
FIREMAN is based on the legendary amplifier builder's famous distortion pedal. It's a very amp-like distortion pedal with Modern Brown Sound. We designed it with 2 independent VOLUME, GAIN control knobs to fit rhythm and solo applications. FIREMAN offers a True-bypass / Buffer-bypass toggle switch, and a 9V / 18V toggle switch. The 18V position doubles the working voltage inside to give you wider dynamic range.

Specs
- Frequency Response: 20Hz~20kHz-±1dB
- Input Impedance: 2.2MΩ
- Output Impedance: 1MΩ
- Power Supply: 9V DC，Negative Tip（ACD-006A）
- Dimensions: 105(L)×115(W)×58(H)mm
- Weight: 460g
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Regular Price: $169.00

Guaranteed Best Price: $119.00
Strymon Iridium Amp and IR Cab Simulator Pedal
LEAVE YOUR AMP AT HOME.
Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

THREE ICONIC AMPLIFIERS
Our Matrix Modeling™ process captures all the subtleties and unique tonal qualities of each amplifier. We’ve taken three iconic tube amps with distinct characters and mathematically modeled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, we’ve hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

NINE STEREO IR CABINETS
Iridium’s speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium’s breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

ADJUSTABLE ROOM AMBIENCE
Iridium’s hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon’s reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

Price: $399.00
Strymon Riverside Multistage Drive Pedal
Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Strymon's goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. Strymon didn’t want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.

Riverside’s cascading gain stages create harmonically rich tones that are immensely musical and natural from silky clean overdrive to colossal distortion, and all points between. Our analog JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your amp to places you never knew it could go.

-Custom cascading multistage distortion topology provides a wide range of tube-inspired drive tones
-Digitally controlled analog class A JFET input gain stage maximizes headroom while adding up to 20dB of pure analog gain
-Precision crafted DSP gain stages provide detailed complexity and responsiveness
-Low gain channel for smooth classic overdrive
-High gain channel for modern saturated distortion
-3-band EQ with independent Bass, Middle and Treble controls
-Selectable post-analog gain mid-band EQ push
-Presence switch to tailor the sound for use with all amplifiers from dark to bright
-Optional variable-threshold noise reduction helps tame noisy guitar pickups

Price: $299.00
Strymon Sunset Dual Overdrive
CLASSIC OVERDRIVE SOUND, X2.
Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.

TWO PEDALS AT ONCE.
Sunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the

HOLY GRAIL TONE, MINUS THE QUEST.
We are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.

OPTIMIZED STACKING.
Since the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. Sunset eliminates the guesswork.

DIGITAL OR ANALOG? WE CHOSE BOTH.
Sunset’s input features an ultra low noise, discrete, class-A JFET circuit providing up to 20dB of pure analog gain. With our hybrid approach you get the best of both analog and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you’ll want to hear.

Price: $299.00
Strymon Sunset Dual Overdrive *DEMO*
This is a Strymon Snset Dual Overdrive FLOOR DEMO. There are a few scratches, two discolored knobs, and some residue, see photos for details. Feel free to conyact us with any questions regarding this pedal!

CLASSIC OVERDRIVE SOUND, X2.
Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.

TWO PEDALS AT ONCE.
Sunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the

HOLY GRAIL TONE, MINUS THE QUEST.
We are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.

OPTIMIZED STACKING.
Since the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. Sunset eliminates the guesswork.

DIGITAL OR ANALOG? WE CHOSE BOTH.
Sunset’s input features an ultra low noise, discrete, class-A JFET circuit providing up to 20dB of pure analog gain. With our hybrid approach you get the best of both analog and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you’ll want to hear.

Regular Price: $299.00

Guaranteed Best Price: $259.00
Used Gurus Ninja Tube Distortion
Used Gurus Ninja Tube Distortion pedal in Excellent Condition. This pedal does not come with a power supply or box. There are no scratches on the body of the pedal, see photos for details. Feel free to contact us with any questions regarding this pedal!

Here's some info from Gurus: "The Ninja is though quiet where it counts. Engineers at Gurus went to great efforts to bestow the Ninja with superlative tone and at the same time, ultra-low noise. This is accomplished through true bypass switching circuitry and gold pin relays. A succinct tone stack lets you accurately sculpt your tone as you like, whether it be a soaring lead tone, or killer rhythm parts.

Outside, we have also pushed the Ninja’s design to the limits. Engineered with our innovative housing of ultra-light Aero-Space aluminum, the screw free design is simply our most elegant, clean and functionally devised pedal ever. The Ninja is our first of a series of tube pedals in such a reasonable, smaller size with top-jack configurations"

Regular Price: $299.00

Guaranteed Best Price: $179.00
Used MXR EP101 Echoplex Preamp
Used MXR EP101 Echoplex Preamp in Excellent Condition. No signs of wear on the pedal, see photos for details. Pairs amazingly with the MXR Echoplex or using as a seperate preamp to give your tone some color. Feel free to contact us with any questions regarding this pedal.

Here's some info from MXR: "The Echoplex Preamp recreates the EP-3's legendary preamp mojo, following the same signal path with FET circuitry and a Gain control for up to +11dB boost.

When the Echoplex® EP-3 came out, guitar players were hooked by the way its preamp sweetened up their sound. Soon, the EP-3 made its way onto the records of top guitar players—from Jimmy Page to Eddie Van Halen and Eric Johnson—as much for its tone conditioning ability as its tape echo effect. Now, you can put the EP-3's legendary secret sauce right on your pedalboard.

Dunlop's EP101 Echoplex Preamp recreates the magic of the EP-3's front end, featuring a Field-effect Transistor (FET) just like the original and following the exact same signal path. The Gain control allows you to boost your signal by up to +11dB, with light asymmetrical clipping at higher settings for a bit of nice organic grit.

The Echoplex Preamp runs on standard 9-volt power and contains power management circuitry to guarantee constant headroom performance throughout the normal life of a 9-volt battery. With a heavy-duty Phase 90-sized housing, a replica EP-3 knob, true bypass switching and a status LED, the Echoplex Preamp is built to take a beating on the road so you can leave your fragile vintage piece at home.

Price: $90.00
Used Nocturne Atomic Brain Boost
Used Nocturne Atomic Brain Boost in Very Good Condition. There are a few slight scratches, as well as pedalboard fasteners along the base, see photod for details. Based off the Pre-amp from the famed RE-202 SPACE ECHO, the Atomic Brain pairs perfectly with any guitar, vintage style echoes (especially Nocturne's own Mystery Brain) to provide classic Rockabilly and dub tones. A metallic red finish, and a Brain Tube complete this package. Feel free to contact us with any questions regarding this pedal.

Here's some info from Nocturne: "A Full sonic spectrum, preamplifier that is a very reactive, and tube like dynamic enhancement for your Amp and DAW buss inserts! I've replicated a much improved Vintage Japanese 70's preamp from the ROL@ND RE-301 Tape Delay machine known as the Space Echo. that is now true bypass & loaded with hi-fidelity audio components

We've Improved the input impedence, extended the gain range & added a Bass cut that the original RE-301 didnt have, this aids in use with cranked small amp to keep the speaker from farting out AND when the Bass Cut is dialed back to 7 oclock, the tone sweep will give you a leaner, tighter modern flavor. Dial it back to 4-5 o'clock for the vintage full low mids of the original character and color. a "vintage-modern" contour if you will.

The "ABBY" is opening wide the preamp gain range. Guitar solo's will stand above the band digging in at chorus intensity or even if at a turn around you want a cool melodic travis pickin pass. The ABBY switch is taking your guitar from whatever level you have the NORMAL mode at (this normal mode is the Dyno Brain with a hair more open highs) and suddenly making everything like 35% more dynamic than it was (i hate using "touch sensitive") so as you dig in for the solo the guitar is pushin into the amp or whatever is after it that much more. The more the normal channel gain is turned up, the more boost you will get from the "ABBY" mode. A neat by-product is that if you just keep both stompers on, the input impedance is now so responsive there is plenty of "rawk" avail for master volume amp guys. "

Price: $180.00
Used Strymon Sunset Dual Overdrive Pedal
This used Strymon Sunset Dual Overdrive Pedal is in excellent condition.

CLASSIC OVERDRIVE SOUND, X2.
Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.

TWO PEDALS AT ONCE.
Sunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the

HOLY GRAIL TONE, MINUS THE QUEST.
We are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.

OPTIMIZED STACKING.
Since the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. Sunset eliminates the guesswork.

DIGITAL OR ANALOG? WE CHOSE BOTH.
Sunset’s input features an ultra low noise, discrete, class-A JFET circuit providing up to 20dB of pure analog gain. With our hybrid approach you get the best of both analog and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you’ll want to hear.

GD

Price: $229.00
Walrus Audio Melee: Wall of Noise
We give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less is more approach, we’ve intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

ALGORITHMS

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

• Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
• Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slö, you’ll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
• Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

MOMENTARY
Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Price: $299.99
Warm Audio Centavo Professional Overdrive Pedal
The Warm Audio Centavo is an accurate recreation of one of the most unattainable overdrive pedals in guitar history. Known by its lauded boost and overdriven tones, the craze for this uber-popular pedal continues today, long after its original production from 1994 to 2009. With prices soaring into unthinkable prices for a three-knob overdrive, it’s no wonder that guitar players like Jeff Beck, Joe Perry, John Mayer, and Josh Homme have found all the mythical magic of the original pedals to be worth the hype. The Warm Audio Centavo is a true-to-original overdrive pedal that authentically recreates the legendary experience and adored tones of the original, legendary box.

Whether you’re after the fabled boost tones, edge-of-breakup overdrive, or you want to push your rhythm channel to true grit - the Centavo has all of the adored tones of the original pedal. The Centavo is comfortable acting as a boost pedal, but the saturation in the higher gain settings provide a platform for true “transparent” overdriven rhythm tones. The addition of the “MOD” switch on the back - famously requested by Jeff Beck on the original pedal- allows players to extend the bass response, impacting the lower strings to get added low end drive tones.

The Centavo has three basic controls on the top - Gain, Treble, & Output. The gain on Centavo breaks up fairly late, with edge-of-breakup hitting after 50% and real clipping occurring late in the gain stage. The treble control is useful for dialing in more top-end for muddier guitars, like dual-humbucker models or all-mahogany instruments. The Centavo is loaded with output and can easily deliver clean boost, or create natural distortion if the tubes on your amplifier are already being pushed. Engaging the MOD switch on the back is a great tool to have at your disposal if the overdrive initially sounds “thin” in the lower register.
- Accurate Recreation Of The Most Sought-After Overdrive Pedal Of All Time
- Premium Components Including TL072 Op Amps, Vintage-Style Diodes, And Charge-Pump Voltage Regulator
- Buffered Bypass Operation
- Gain, Treble, And Output Controls
- MOD Switch on Rear For Extended Low-End Response
- Custom-Cast “Champagne” Enclosure With Accurately Tapered Oxblood Knobs
- 1/4" Input (Inst) And Output (Amp) Jacks
- Powered By 9v Battery Or Standard 9v Dc Pedal Adapter
- Length: 5”
- Width: 6.75”
- Height: 2.25”
- Weight: 2 Lbs
(read more...)
Price: $179.00
Warm Audio Foxy Tone Box Fuzz Pedal
The new Foxy Tone Box from Warm Audio is a hyper-accurate recreation of one of the most sought-after and beloved fuzz pedals of all time - used in the early seventies by legendary tone masters Billy Gibbons and Peter Frampton, and in the present day by folks like Adrian Belew, Nine Inch Nails and Beck. Covered in thick velvet just like the vintage pedal, the Warm Audio Foxy Tone Box faithfully recreates the vintage circuit and brings you the huge tone, octave-up sounds and look of the original…without having to pay crazy vintage prices!

The specific components used in a pedal circuit are critical to the way that it sounds and reacts to your playing, so each Foxy Tone Box is assembled by hand using premium parts. We searched far and wide for a stash of the correct NOS (“New Old Stock”) Fairchild transistors used in the original—and then paired them with germanium diodes, high-watt carbon resistors, and film capacitors to bring the fury of the vintage pedal to the present day. It’s true bypass, and it sounds like nothing else on earth!

Just like the original, the Foxy Tone Box features controls for Volume, Sustain, and Fuzz (from “Mellow” to “Brite”), along with a switch to engage the pronounced octave effect. From mellow and subdued crunch to all-out searing fuzz and everything in between, this pedal is a virtual library of dirt encased in orange velvet!

To get started, keep the Octave switch off and roll the Fuzz to the “Mellow” side for warm, square-wave distortion. Then engage the Octave effect, crank the Fuzz to “Brite", and increase the Sustain for maxed-out, hyper-compressed tones that are barely hanging on for dear life! Electric guitar is the obvious application, but try it on synthesizers, drum machines, bass, acoustic/electric, and more. If you can plug a cable into it, the Foxy Tone Box can add character you just can’t get anywhere else.
- FAITHFUL RECREATION OF THE ORIGINAL “FOXY” FUZZ CIRCUIT WITH 100% ANALOG, FULLY DISCRETE SIGNAL PATH PREMIUM COMPONENTS USED THROUGHOUT, INCLUDING THE NOS 2N3565 FAIRCHILD TRANSISTORS FOUND IN THE ORIGINAL CIRCUIT USES CARBON RESISTORS, GERMANIUM 1N34A DIODES, AND PREMIUM FILM CAPACITORS
- TRUE BYPASS OPERATION
- GOLD-PLATED PCB PADS
- VOLUME, SUSTAIN, AND FUZZ KNOBS
- OCTAVE SUSTAIN SWITCH FOR ENGAGING THE OCTAVE-UP EFFECT
- 1/4" INPUT (INST) AND OUTPUT (AMP) JACKS
- RED LED POWER INDICATOR
- GROOVY VINTAGE ENCLOSURE COVERED IN ORANGE VELVET
- POWERED BY 9V BATTERY OR STANDARD 9V DC PEDAL ADAPTER (2.1MM, CENTER NEGATIVE DC ADAPTER INCLUDED)
- POWER CONSUMPTION: 1.5MA
- LENGTH: 4.75"
- WIDTH: 6.5"
- HEIGHT: 2.5"
- WEIGHT: 1.4 LBS
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Price: $149.00
Warm Audio Jet Phaser 6-Mode Phaser Guitar Pedal with Built-in Jet Fuzz Circuit
The seventies were an amazing time, as bell-bottoms, chains and afros dominated the fashion scene and the swoosh and swirl of phaser effects were everywhere on the radio. From the guitar work of David Gilmour, Brian May and Eddie Van Halen to the trail-blazing keyboard stylings of Steely Dan, Herbie Hancock and Paul Simon’s Richard Tee, it seemed like everyone was incorporating phasers into their sound.

Of all of the designs available during that time period, one phaser pedal stood apart from the others due to its flexibility, sound quality and addition of fuzz sounds, and it was immediately adopted by funk bass pioneer Larry Graham as the core of his modulated sound with both Sly and The Family Stone and his own Graham Central Station.

The Warm Audio Jet Phaser is a hyper-authentic recreation of this famous pedal, accurate from the gooey swirl of the audio circuit to the look and feel of the enclosure, except that it’s true bypass and far more affordable and reliable than vintage units!

The Jet Phaser contains six modes, with two labeled "PHASE" and four labeled "JET". The two PHASE modes produce traditional phasing effects, with the first having moderate modulation depth for more subtle sounds, and the second having increased depth for more exaggerated results.

However, the similarities to normal phase pedals end there. The four JET modes engage the "jet" (or fuzz) effect, and that's when things get seriously fun!
- Bright fuzz/shallow phase
- Bright fuzz/deep phase
- Dark fuzz/shallow phase
- Dark fuzz/deep phase
When the JET modes are active, the pedal's output level is controlled by the JET LEVEL knob. This enables you to set up the JET modes as a boost, if desired—which could be perfect for solos!

The Jet Phaser also features a RESONANCE control that's available in all six modes, allowing you to dial in varying amounts of filtered sci-fi craziness. Additionally, you get creative control of the modulation rate: the SLOW RATE knob allows you to set the main modulation speed, but hitting the FAST/SLOW foot switch always kicks the rate up to the maximum speed possible. It’s a cool design, because the change from fast to slow ramps up and down gradually like an organ’s rotary speaker. Unlike most phasers, the Jet Phaser can actually get “in-between” speeds by continuously hitting the FAST/SLOW foot switch like organ players do!

The Jet Phaser’s true bypass operation makes it easy to incorporate into any rig, and the fact that it runs at 18V gives it high headroom and pristine audio quality (it can be powered with the included 18VDC adapter or two 9V batteries). We already know it'll sound great on guitar, bass, and keys, but don't let that stop you from slapping it on a vocal track or a drum bus - use your imagination!
- FAITHFUL RECREATION OF THE ORIGINAL “JET” PHASE CIRCUIT
- USES PREMIUM COMPONENTS THROUGHOUT, INCLUDING CARBON FILM RESISTORS AND FILM CAPACITORS
- TRUE BYPASS OPERATION
- SIX MODES: JET (1–4), PHASE (1–2)
- EFFECT/NORMAL AND FAST/SLOW FOOT SWITCHES
- JET LEVEL, MODE, RESONANCE, AND SLOW RATE KNOBS
- GRADUAL RATE CHANGE WHEN FAST/SLOW SWITCH IS PRESSED, SIMULATING A ROTARY CAB
- 1/4" INPUT (INST) AND OUTPUT (AMP) JACKS
- DC ADAPTER/BATTERY SWITCH
- RUGGED STEEL CHASSIS WITH ATTRACTIVE WOODEN SIDE PANELS
- POWERED BY TWO 9V BATTERIES OR 18V DC ADAPTER (INCLUDED)
- POWER CONSUMPTION: 9MA
- LENGTH: 10.25"
- WIDTH: 6.5"
- HEIGHT: 2.5"
- WEIGHT: 4.6 LBS
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Price: $199.00

Distortion, Overdrive, Fuzz

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