Delay & Reverb

  • USED Alexander Quadrant Audio Mirror Delay Pedal
    USED Alexander Quadrant Audio Mirror Delay Pedal
    Journey with us into the Quadrant - four unique effects hailing from a distant delay dimension. We hold a mirror up to your music, and reflect the echoes from a parallel universe. Magnetic, analog, digital, and lo-fi delays await within, coupled with the power of the Neo Series platform to provide a unique but familiar echo experience.
    Regular Price: $179.00
    Guaranteed Best Price: $130.00
  • Used Boss DD-3 Digital Delay
    Used Boss DD-3 Digital Delay
    Used Boss DD-3 Delay in Very Good Condition. There are some scratches on the pedal, some aging on the jacks, along with hook n look fastener along the bottom, though nothing that affects the effect; see photos for details. Widely used Digital Delay providing short (up to 50 milliseconds), medium (up to 200 milliseconds) and long (up to 800 milliseconds). This is the pre-DD-3 with tap tempo. Feel free to contact us with any questions regarding this pedal!

    Here's some info from Boss: "This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control."
    • Compact delay pedal with superb BOSS sound quality
    • Provides 3 delay time modes and a Delay Time control for quick adjustment of exact delay time between 12.5ms - 800ms
    • Hold function repeats delay sound indefinitely for interesting effects
    • BOSS five-year warranty
    Regular Price: $0.00
    Guaranteed Best Price: $85.00
  • Used Eventide Black Hole Reverb
    Used Eventide Black Hole Reverb
    Used Eventide Black Hole Reverb in Excellent Condition. Comes with original box, paperwork, power supply. No major scratches, though there is some slight marking on the bottom, see photos for details. Feel free to contact us with any questions regarding this pedal!
    Here's some info from Eventide: "What lies beyond a Blackhole’s Event Horizon? Is it a place where time itself freezes or where gravity folds in upon itself? Is it a portal to another dimension? There’s only one way to find out. Escape Earth and create haunting echoes, ethereal landscapes, and otherworldly ambiences with Blackhole – a reverb pedal as big and mysterious as the cosmos.
    Discover what lies beyond mere halls, rooms, plates, and springs; let Blackhole transport you to an alternate dimension of ambience. Pick and choose from five otherworldly presets – create supermassive atmospheres with the ethereal reverb of Blackhole, soar through nimbus clouds with the airy delay of Dark Matter, achieve sonic supernovas with the resounding swirl of Nebula, experience an uncharted galaxy of sound with the warmth of Singularity, and achieve a stellar rotation of sonority with Pulsar – or get creative and create presets of your own. Blackhole can load as many as 127 presets via MIDI and they are also accessible in the preset list on the Eventide Device Manager (EDM). Unlock a universe of sound-sculpting capability! With this magnitude of flexibility, Blackhole will take you on a journey from cathedral-esque spaces to a new frontier of aural experimentation."
      Features
    • Five presets loaded at your feet with dozens more available with Eventide Device Manager (EDM) software
    • Control the Size of your space from a cartoonishly small room to a limitless universe.
    • Use PreDelay to offset the onset of the reverb.
    • Turn up Feedback to go beyond the event horizon.
    • Tap the Freeze Footswitch to instantly ‘freeze’ your sound.
    • Dual action Active Footswitch is latching or momentary.
    • Rear panel Guitar/Line Level switch for selecting use with guitar, synths, FX loop or DAW interface
    • Map any combination of parameters to an Expression Pedal.
    • Use a single Aux switch to Tap Tempo or a triple Aux switch for easy preset changing (up/down/load).
    • MIDI capability over TRS (use with a MIDI to TRS cable or converter box) or USB
    • Multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry
    • Catch-up mode helps dial in your sound when toggling between presets/parameters.
    • Eventide Device Manager PC or Mac application for software updates, system settings and creating/saving presets
    • Fine-tune your tone with Lo, Hi and Q (resonance) controls. Use the tone controls to add airiness or clear up the low-end. Map the EQ controls to an expression pedal to add movement to the reverb tail.
    • Unique Gravity control to custom-tailor the reverb tail in two realms — normal or inverse decay. Create interesting swells or suck the dry signal back into the reverb tail. At longer decay times, Blackhole allows the articulation to shine through without competing with the reverb tail.
    Regular Price: $299.00
    Guaranteed Best Price: $249.00
  • Used Seymour Duncan Vapor Trail Delay Pedal
    Used Seymour Duncan Vapor Trail Delay Pedal
    Used Seymour Duncan Vapor Trail Delay Pedal in Very Good Condition. There are no major scratches on the pedal case, previous owner however placed Velcro on the base of the pedal. Feel free to ask any questions regarding this pedal.

    Everyone loves the warm, smooth, ambient vibe of a Bucket Brigade Device (BBD) analog delay pedal. The Vapor Trail gives you those classic tones but with a TRS insert jack that lets you process the repeats through additional effects to unlock your creativity and redefine what you can do with analog delay.

    The Vapor Trail’s natural compression and treble-smoothing characteristics support rather than overpower the dry note… at least until you want to max out the controls to make ray-gun and spaceship noises. A flashing LED in the Delay knob gives you a visual readout of the tempo of your repeats (which range from 15ms to 600ms), and the Mix knob gives you everything from the gentlest hint of a repeat up to a 3dB boost.

    The Vapor Trail also has modulation controls to add shimmer and movement to your echoed signal. Use the TRS insert jack to send the wet signal through any other pedal or effect, such as distortion flanger, chorus, envelope filter, or reverb – or use a volume pedal to vary the level of the delayed signal. You can even use it as a wet output to send just the repeats to a separate amp or signal chain.
    Regular Price: $0.00
    Guaranteed Best Price: $99.99
  • Walrus Audio Fable: Granular Soundscape Generator
    Walrus Audio Fable: Granular Soundscape Generator
    In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old but in part very new. They are referred to as… Fable.

    Let your storybook adventure grow with the Fable Granular Soundscape Generator. The Fable creates new sonic adventures with five granular delay programs centered around sample and chop algorithms. The Fable generates its wonder with a dual feedback path developed by DSP engineers at Walrus Audio. With two DSP chips, your signal is run through two separate effects in series (independently controlled by the Feedback and Regen Knobs), then the signals are run back through both DSP chips again before going through the output. What does that mean? Artists will discover unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

    What exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they’re read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, to achieve different effects.

    It’s a powerful but complex technique and we’ve created five streamlined programs in the Fable that explore different aspects of its sonic range.

    Programs
    I. Reverse Delay into Reverse Granular
    Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

    II. Forward Delay into Octave Up Granular
    Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

    III. Analog-Style Delay into Octave Down Granular
    Program 3 runs a warm, dark analog-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combined with analog-style processing to create deep, thunderous footfalls and thick, murky ambience.

    IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)
    Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

    V. Forward Delay into Randomized Pitch Granular
    Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

    Price: $299.99
  • Walrus Audio Lore Reverse Soundscape Generator
    Walrus Audio Lore Reverse Soundscape Generator
    Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as... Lore.

    Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. Featuring two DSP chips running in series, each with their own analog feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

    Analog Feedback Paths:
    Having two analog feedback paths allows each program to incorporate a unique mix of affected and unaffected feedback. The two feedback paths interact and build off of each other organically, offering the user a wide array of sounds and behaviors to experiment with.

    Programs:

    I. Reverse Delay into Reverse Reverb:
    Program 1 combines reverse delay with reverse reverb with a focus on organically interacting feedback paths. Space and ambiance build as the signal is reversed, re-reversed, reverberated, and reversed again within the feedback network. Experiment with the X knob to control how reversed your delay trails are with left being least reversed and right being fully reversed. Lots of fun with big, eerie minor chords!

    II. Reverse Delay into Octave Up Reverb:
    Program 2 is a "light reverb" that combines octave-up harmonic feedback with an expansive, airy, reverb tank to create a breathy, spacious ambiance. Use the Regen knob to introduce a playful shimmer into the reverb decay. Increase the X knob to control the decay of the reverb. It sounds especially great with delicate fingerpicking parts.

    III. Reverse Delay into Octave Down Reverb.
    Program 3 is a "dark reverb" that combines octave down harmonic feedback with heavy filtering and harmonic distortion, to create a sound that is thick, rich, and murky. Use the Regen knob to bring a lower octave into the reverb decay. Increase the X knob to control the decay of the reverb. Add in some high gain or fuzz to alter the time-space continuum.

    IV. Reverse Reverb into Forward Reverb.
    Program 4 is a dual reverb program, featuring reverse reverb into forward reverb, Dual harmonic feedback paths allow the user to dial in octave up and octave down, and time stretching allows for control of the size and character of the space. Perfect for instantly transforming guitar into rich ambient pads. Use the Feedback knob to add a lower octave to the reverse reverb. Conversely, use the Regen knob to add an octave up to the reverse reverb decay. Control the decay of the forward reverb with the X knob. To channel all things ambient, experiment with dynamic picking and strumming techniques with the mix fully wet for ethereal drones and pads.

    V. Pitch Delay into Pitch Delay.
    Program 5 features two "dueling" pitch delays, which shift the input signal up and down in complementary or opposing directions, allowing the user to create intricate harmonic patterns in the feedback network. Behaves like a sequencer at higher delay times and like a harmonizer at lower delay times. Use Feedback and Regen knobs to control various amounts of pitched delay repeats. Use the X knob to change the order of the 4th, 5th, and octave intervals that the pitch delay steps through. Experiment with short staccato notes to create some very interesting rhythmic parts!

    Momentary Features:
    Dive / Rise - Holding down the tap tempo switch will momentarily shift the clock rate of the pedal down or up and will hold it at that rate for as long as the switch is pressed. The direction of the dive can be changed by simply pressing bypass and tap simultaneously. A green LED over tap will indicate rise is set and a blue LED will indicate that dive is set.

    Modulation:
    The Mod knob will control the amount of modulation applied to the wet signal. Holding down bypass and adjusting the Mod knob will adjust the modulation rate. The bypass LED will blink to show your set mod rate.

    Price: $299.99
  • Walrus Audio Melee: Wall of Noise
    Walrus Audio Melee: Wall of Noise
    We give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

    In a less is more approach, we’ve intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

    ALGORITHMS

    The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

    • Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
    • Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slö, you’ll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
    • Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

    MOMENTARY
    Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

    Price: $299.99
  • Walrus Audio Slö Multi-Texture Reverb
    Walrus Audio Slö Multi-Texture Reverb
    The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.

    The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality.

    The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell) and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail.

    Combine deep modulation with long washy trails and experience, the Slö.

    ALGORITHMS:

    DARK – Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

    RISE – This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

    DREAM – Here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

    The Slö also features 3 different wave shapes accessible by holding down bypass while switching the algorithm toggle.

    SINE – Smooth and even pitch up and down modulation.

    WARP – Asymmetric pitch up modulation similar to a warped record.

    SINK – Asymmetric pitch down modulation for sinking detune similar to a Bigsby.

    MOMENTARY FUNCTIONS:

    Bypass: When the switch is in off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

    Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating long dreamy reverb trail and then ramps back down to the decay knob setting when released. In the “Dream” algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

    TRAILS MODE:

    The Slö can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

    Specs
    • The Slö comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit.
    • The diecast enclosure’s exact size is 4.77" x 2.6" x 1.39”.
    • Power requirements are 9VDC (100mA minimum).
    • The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
    • Power supply not included.
    Price: $219.99