Effects Pedals → Delay & Reverb

Delay & Reverb

  • Bos DD-200 Digital Delay Pedal
    Bos DD-200 Digital Delay Pedal
    With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit AD/DA, 32-bit internal processing, and 96 kHz sampling rate, as well as support for additional control via external switches, an expression pedal, or MIDI. The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colors from modern digital to classic analog, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There’s also a looper that’s always ready to use, plus a selectable carryover function for seamless transitions between memories.
    Regular Price: $359.99
    Guaranteed Best Price: $256.99
  • Boss DD3T Digital Delay
    Boss DD3T Digital Delay
    PRO-QUALITY DELAY IN A COMPACT PEDAL

    This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control.
    • Updated version of the industry-standard DD-3, with enhanced functionality for modern players
    • Ultra-easy operation for fast sound creation
    • Delay time of 12.5 to 800 ms, divided into three ranges for quick setup
    • Tap in tempos with the onboard pedal switch or an external footswitch
    • Short Loop setting for creating phrase loops (same as the Hold function on the original DD-3)
    • Direct output for sending dry and wet sounds to separate amps
    • Main and direct output jacks now positioned on one side of the pedal
    • BOSS five-year warranty
    In continuous production for over three decades, the DD-3 has been the go-to delay stomp for countless players. Based on the DD-2—the world’s first digital delay pedal from 1983—the DD-3 is revered for its warm, round delay tone and simple controls that let you dial in sounds fast. The DD-3T’s sound circuitry and controls are identical to the DD-3, delivering every drop of that classic vibe you know and love.

    A key addition the DD-3T brings is tap tempo, an essential feature for creating the rhythmic delay effects at the heart of many guitar styles. In delay mode, hold the pedal switch for two seconds to toggle between bypass and tap operation. And for on-demand tap control, simply connect an external footswitch. When the DD-3T receives tap input, up to 800 ms of delay time is available, and the Mode knob sets the tap subdivision (quarter-note triplet, dotted-eighth note, or quarter note).

    The DD-3T features a direct output jack like the DD-3, but it’s been moved next to the main output jack to make connections easier. Plugging a cable into the direct out converts the main out to delay only, allowing you to send wet and dry signals to different amps for wide, immersive sounds. And if your amp or switcher has a parallel effects loop, just connect a dummy plug to the direct out to mute the dry sound for effect-only blending.

    The original DD-3 (and DD-2 before) included a forward-thinking Hold function, which allowed you to capture a sound up to 800 ms long, play it continuously, and jam over the top. Many years later, BOSS further developed this creative concept with the successful Loop Station products, which helped spawn the new musical style of live looping. The DD-3T includes the same Hold function as the DD-3, but it’s been renamed “Short Loop” to reflect today’s common usage.
    Regular Price: $159.99
    Guaranteed Best Price: $154.99
  • BOSS DM101 STREO ANALOG DELAY MACHINE PEDAL
    BOSS DM101 STREO ANALOG DELAY MACHINE PEDAL
    Classic sound meets modern power with the DM-101 Delay Machine, the ultimate analog delay. Driven by eight BBDs under smart CPU control, this inspiring pedal delivers 12 unique modes, stereo operation, and a wide array of tonal colors, all while maintaining 100 percent analog signal processing throughout. And with 127 user memories, tap tempo, carryover, MIDI, and more, the DM-101 brings you the features and versatility of an advanced digital pedal—but with the vibrant, characterful sound that’s only possible with authentic analog BBD circuitry.

    • Standard Features
    • The ultimate analog delay pedal realized with advanced BOSS technology
    • Fully analog BBD audio circuitry shaped by precision digital CPU control
    • Warm, saturated, and highly musical tone
    • Twelve modes deliver a wide range of mono and stereo delay textures, created using up to eight internal BBDs
    • Stereo output with flexible signal routing options
    • Adjustable modulation rate and depth with dedicated knobs
    • Variation knob for controlling multiple parameters that are unique to each mode
    • Selectable carryover for maintaining delay trails when the effect is bypassed
    • MIDI I/O on mini TRS connectors
    • Tap tempo function and tap division switch for creating rhythmic delays
    • Four onboard memories plus the current panel settings
    • 127 user memories accessible via MIDI program change
    • Expandable control via external footswitches, an expression pedal, or MIDI
    Analog delays based around BBD (bucket-brigade device) microchips emerged in the 1970s as a compact and cost-effective alternative to the standard tape delays of the era. Their warm, saturated, and highly musical sound established a distinctive style of delay that remains favored by many musicians and audio engineers. Leveraging modern CPU control, the DM-101 supercharges this classic effect with enhanced capabilities for today’s music makers.

    The DM-101 takes the analog delay where it’s never gone before, providing access to cleaner sounds and extended delay times alongside traditional tones. To achieve this versatility, we used eight 2048-stage BBDs instead of the more common 4096-stage BBD. By finely tuning the behavior of these smaller BBDs with targeted CPU control, we can realize a far greater range of sound while retaining all the desirable analog characteristics that players love about their favorite BBD stomps.

    The DM-101 flows effortlessly between gritty vintage echoes and modern analog delay tones with extended high-frequency clarity. Multiple internal circuit elements are switched to define each of the 12 modes, including the number of active BBDs and their connection order, low-pass filter settings, and clocking rates. Twisting the Variation knob cycles through parameters unique to the different modes. And you can always drive delays into saturated self-oscillation by cranking the Intensity knob.

    • DM-101 Delay Modes
    • Classic—Traditional warm analog delay sound extended with up to 1200 ms of delay time. Adjust the modulation behavior by cycling through triangle, sine, and more complex waveform shapes with the Variation knob.
    • Vintage—Retro analog delay sound inspired by the iconic BOSS DM-2 Delay pedal introduced in 1981. Adjust the modulation behavior by cycling through triangle, sine, and more complex waveform shapes with the Variation knob.
    • Modern—Uniquely clear analog delay sound with a distinctive high-end tone and up to 840 ms of delay time. Adjust the modulation behavior by cycling through triangle, sine, and more complex waveform shapes with the Variation knob.
    • Multi-Head—Emulates a multi-head tape delay while imparting a uniquely analog BBD sound character. Use the Variation knob to cycle through 10 different head combinations.
    • Non-Linear—A unique effect that produces consecutive short delays (35–190 ms) that gradually increase in volume. The Variation knob allows you to control the delay times after the initial delay.
    • Ambience—Simulates a small space. Change the size and early reflections with the Variation knob.
    • Reflect—A stereo delay sound that produces a reverb-style effect. Adjust the pre-delay with the Variation knob.
    • Doubling+Delay—A stereo effect that combines a doubled sound with a longer delay. Use the Variation knob to balance the two sounds across the stereo output.
    • Wide—A stereo delay with offset left/right delay times for an expansive sound. Use the Variation knob to adjust the delay offset amount.
    • Dual Mod—A stereo delay with different modulation phase settings on the left and right outputs. Use the Variation knob to adjust the phase amount (the phase is fully inverted at the maximum setting).
    • Pan—A tapped stereo delay with different delay times distributed across the sound field. Use the Variation knob to fine-tune the delay time amounts.
    • Pattern—Stereo delay with different rhythmic patterns. Use the Variation knob to choose from the 10 available pattern types.
    Price: $499.99
  • Boss RE-202 Space Echo Tape Delay
    Boss RE-202 Space Echo Tape Delay
    A Masterpiece Returns in the Modern Era
    Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

    Backed by intensive R&D and our latest innovations, the RE-202 faithfully delivers the authentic sound and behavior of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201’s magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colorful preamp circuit. And to take things even further, we’ve expanded the vintage Space Echo experience with lots of new features tuned for today’s music.

    Tape Echo Magic
    Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today’s CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colors the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that’s subtle and continually evolving.

    RE-201 Space Echo: Simply Legendary
    The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analog preamp circuitry was another key ingredient in the Space Echo’s rich sonic recipe.

    A Masterpiece Reborn
    Realized through the latest technologies and exhaustive analysis of several vintage RE-201s—including a pristine original unit from the BOSS and Roland factory archive—the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

    While previous BOSS designs captured the true sonic flavor and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, our engineers have fully reproduced all the complex, non-linear behaviors that contribute to the RE-201’s immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

    Retro Sound at Your Fingertips
    The RE-202 delivers the full vintage vibe of the RE-201—without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behavior is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

    With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviors of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

    Sonic Enhancements
    The RE-202 includes many new features that extend the Space Echo for today’s musicians. Twice the delay time is available, along with a fourth virtual tape head that unlocks five additional sound combinations. There’s also an echo type that changes the distance between the heads, something not possible with the original. In contrast with the mono RE-201, the RE-202 provides true stereo I/O and selectable operation for guitar or line-level devices. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing.

    Also included is a stereo version of the original spring reverb sound from the RE-201, along with hall, plate, room, and ambience types for additional versatility. Expressive Warp and Twist effects are available as well, allowing you to launch the sound into outer space with the press of a footswitch while performing.
    Modern Control
    To complement its vintage heart and soul, the RE-202 has all the modern features you’d expect from an advanced delay pedal. There are four onboard memories for storing and recalling favorite sounds, and 123 more are accessible via MIDI program change. Tap tempo is also on hand, as well as selectable delay carryover when switching memories. It’s also possible to mute the dry signal for parallel effect setups and studio usage. Expanded control is available via external footswitches, an expression pedal, and MIDI, including real-time operation of multiple parameters at once.

    Features
    • Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo
    • Classic multi-head tape echo sound with expanded delay time
    • Original three-head configuration plus additional tape head for 12 unique echo combinations
    • Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience
    • Saturation control for adding magnetic tape compression and preamp coloration
    • Wow & Flutter control for introducing varying levels of natural tape modulation
    • Choose between new and aged tape conditions
    • Selectable input modes for optimum performance with instruments and line-level gear
    • Warp and Twist effects with footswitch control
    • Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
    • Four onboard memories plus the current panel settings
    • Save and select 127 memories via external MIDI program change
    • Tap tempo and carryover functions
    • True stereo input and output
    • Expandable control via external footswitches, an expression pedal, or MIDI
    Price: $419.99
  • Boss Waza Craft DM-2W Analog Delay
    Boss Waza Craft DM-2W Analog Delay

    NOW, THE LEGENDARY ANALOG DELAY IS BACK WITH A MODERN EDGE

    Ever since being discontinued way back in 1984, the BOSS DM-2 Delay pedal has remained highly sought after by players everywhere for its warm, “bucket brigade” analog delay tone. Now, the DM is back! With the Waza Craft DM-2W, the coveted stomp has been reborn with switchable sound modes and greater versatility for today’s music styles. Using 100-percent analog circuitry, the DM-2W’s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. Flipping into Custom mode instantly changes the sound character to a cleaner analog tone with over twice the available delay

    • Special edition Waza Craft pedal delivers the ultimate BOSS tone experience
    • True reproduction of the vintage DM-2 Delay sound
    • Premium all-analog circuit with BBD (bucket brigade) delay line
    • Standard mode for authentic DM-2 tone with 20-300 ms delay time
    • Custom mode provides warm-yet-clear delay sound and maximum 800 ms delay time
    • Expression pedal input for foot control of delay time
    • Two output jacks allow separate output of delay and direct sounds
    • BOSS five-year warranty

    Price: $174.99
  • DOD Rubberneck Analog Delay
    DOD Rubberneck Analog Delay
    The new DOD Rubberneck Analog Delay has double the features with the cool new double-wide chassis. The Rubberneck boasts over a second of warm and musical 100% analog repeats you crave, along with tap-tempo, subdivisions, and tails. Double concentric knobs give you independent control of the Modulation Rate and Depth as well as Gain and Tone of the delay.
    Double footswitches allow for unique extended features like user customizable momentary control of oscillation and momentary control of the dizzying pitch sweep of “Rubbernecking.” These extended features are controlled by individual clear mini knobs that double as multi-color LED status indicators. Feedback loop send/return, remote footswitch control, true bypass, and rugged metal construction, make the Rubberneck Analog Delay the must have delay of the year.
    The Rubberneck also has jacks to allow FS3X 3-button remote foot switching, and a send and return so you can add external effects to the delay path.
    The DOD Rubberneck uses a 9VDC power supply to easily integrate into your existing pedalboard.
    Regular Price: $486.00
    Guaranteed Best Price: $349.99
  • Earthquaker Afterneath V3 Enhanced Otherworldly Reverberation Machine
    Earthquaker Afterneath V3 Enhanced Otherworldly Reverberation Machine
    The Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed!

    Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal…

    Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

    Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

    Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

    The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

    The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

    Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

    Flexi-Switch® Technology

    This device features Flexi-Switch Technology! This electronic switching style allows you to simultaneously use momentary and latching style switching.

    • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
    • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed.


    Tails / No Tails Switching

    The Afterneath is factory set in “tails mode.” This means that the wet signal will naturally decay and slowly fade to silence after the effect is switched off.

    To deactivate this feature:

    • Unplug the power cable from the power jack.
    • Hold down the footswitch and insert the power cable.
    • The LED will flash 3 times. You can now release the footswitch.
    • Follow the same steps to reactive tails mode.
    Price: $199.00
  • Earthquaker Astral Destiny
    Earthquaker Astral Destiny
    The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

    Reverb Modes
    • Abyss: Huge reverb with no octave effect
    • Shimmer: Adds an upper octave to the reverb tail
    • Sub: Adds a lower octave to the reverb tail
    • Sub Shimmer: Adds an upper and lower octave to the reverb tail
    • Astral: Adds an upper and lower octave combined with a regenerating tail
    • Ascend: Upward pitch bending
    • Descend: Downward pitch bending
    • Cosmos: Adds a regenerating fifth to the reverb tail


    The Astral Destiny operates between two different modes: Live or Preset. It comes with 8 factory presets, 1 for each reverb mode, that can be edited or completely overwritten for your enjoyment. The settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length can all be stored and recalled. Any of the Astral Destiny’s 8 reverb modes can be used as the basis for each of the 8 presets.

    Tails or Full Bypass Switching

    Astral Destiny can operate in two different bypass states: Tails or Full Bypass. It comes factory set in Tails Mode which allows the reverb effect to naturally decay after the effect is bypassed and is indicated by a Green Activate LED. Full Bypass will cut the reverb effect completely when the effect is bypassed and is indicated by a Red Activate LED.

    Astral Destiny is buffered bypass which means that there will always be an active buffer present and it requires power to pass signal.

    Stretch Footswitch

    The Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch.

    • Tap for an immediate pitch change.
    • Hold for a temporary pitch bending effect.
    Price: $199.99
  • Earthquaker Devices Avalance Run Stereo Delay and Reverb with Tap Tempo
    Earthquaker Devices Avalance Run Stereo Delay and Reverb with Tap Tempo
    The Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. Taking you into the aural exploratorium without having to break open the user manual every time you want to open up your inner eye and get free is no easy task. We are using a high powered proprietary DSP platform to recreate all the characteristics of all our old favorite delay and reverb machines while still retaining a simple, yet flexible workspace. It has been a long time coming but well worth the wait! Enough bullshit, let’s talk about the damn pedal!

    The Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush reverb. It features complete control over delay time, repeats, mix and voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In “Normal” mode, the Avalanche Run functions as a straightforward delay and reverb. In “Reverse” mode, the delay line is in reverse and the reverb remains in normal mode. In “Swell” mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar.

    The Avalanche Run features an expression jack that can be assigned to one of six different controls using the “EXP” selector switch. It also features Tap Tempo with six different ratios accessed via the “Ratio” selector switch. The Avalanche Run can also be run in “True Bypass” mode or “Buffered Bypass” mode for trails and features 5 different tail lengths including “Infinite” for lo-fi and continuously degrading pseudo-looping.

    The Tap switch also has a few other cool secondary functions. While in Normal and Swell mode, you can send the Avalanche Run into self-oscillation by holding down the “Tap” footswitch. In Reverse, mode holding down the Tap switch will flip the delay back into Normal mode and return to Reverse mode once released!

    Each and every Avalanche Run is completely assembled, wired and tested by total human beans in the tiny tundra town of Akron, Ohio.
    Price: $299.99
  • Earthquaker Devices LTD Afterneath V3
    Earthquaker Devices LTD Afterneath V3
    Now available in a new, limited edition colorway!

    The Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed!

    Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal…

    Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

    Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

    Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

    The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

    The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

    Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

    Flexi-Switch® Technology

    This device features Flexi-Switch Technology! This electronic switching style allows you to simultaneously use momentary and latching style switching.

    • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
    • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed.


    Tails / No Tails Switching

    The Afterneath is factory set in “tails mode.” This means that the wet signal will naturally decay and slowly fade to silence after the effect is switched off.

    To deactivate this feature:

    • Unplug the power cable from the power jack.
    • Hold down the footswitch and insert the power cable.
    • The LED will flash 3 times. You can now release the footswitch.
    • Follow the same steps to reactive tails mode.
    Price: $199.99
  • Earthquaker Disaster Transport™ Legacy Reissue
    Earthquaker Disaster Transport™ Legacy Reissue
    You spoke, we listened!
    On the heels of the incredibly successful White Light limited Legacy Reissue, we’re doing another limited reissue of one of the first EarthQuaker Devices ever made, the Disaster Transport - now with some serious upgrades to make it sound even better than the much-loved original.
    The Legacy Reissue version of the Disaster Transport pedal has been redesigned so the delay line reduces the noise floor and improves the quality of the delay. The output is boosted with a cleaner mixing section; it’s now filtered to sound more like an analog delay than any of the previous versions. This delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialed in for more of a dramatic effect of your choosing.
    A Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.
    The newly added Mod Speed three-position toggle switch offers Slow (S), Fast (F), and Medium (M) settings.
    The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.
    We initially set out to recreate the original Disaster Transport pedal in its earliest form, but the OG of EQD, Jamie Stillman, couldn’t resist tinkering and improving the whole thing, so you just got upgraded, my friend. In doing so, we redesigned the delay line to reduce the noise floor and improve the quality of the delay. We boosted the output with a cleaner mixing section; it’s now filtered to sound more like an analog delay than any of the previous versions.
    We’ve added a Mod Mode switch that allows you to choose between bending and stretching the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.
    The other difference you probably spotted with your eagle eye is the Mod Speed three-position toggle switch. The Slow setting is excruciatingly slow and can produce bizarrely animated gradual climbs and steep drop offs. The Fast setting can go from a rapid chorus to an intense vibrato, while the Medium setting is the most traditional rate similar to the classic Memory Man circuit with a nice range to it.
    The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.
    Regular Price: $219.00
    Guaranteed Best Price: $179.00
  • Earthquaker Ltd Ghost Echo V3 USA Brain Dead Custom Powder Signal Green
    Earthquaker Ltd Ghost Echo V3 USA Brain Dead Custom Powder Signal Green
    This extra special Ghost Echo will be limited. The Brain Dead Ghost Echo is the same Ghost Echo that you know and love, just with extra special art, and extra spiffy Brain Dead designed packaging. Limited edition Ghost Echo Vintage Voiced Reverb collaboration with international creative studio Brain Dead.

    You hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you!

    Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix, but we like to think of it more as how scary the overall effect is.
    • All-analog signal path
    • True bypass
    • Silent relay-based switching with Flexi-Switch® Technology
    • Lifetime warranty
    • Current Draw: 86 mA
    • Input Impedance: 10 MΩ
    • Output Impedance: 1 kΩ
    • Boxed Dimensions: 5.75 x 3.25 x 3.25 in.
    • Out of Box Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
    • Weight:10 oz (295 g)
    Price: $199.00
  • Electro Harmonix Oceans 11 Reverb
    Electro Harmonix Oceans 11 Reverb
      The EHX Oceans 11 is a compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic.

      The EHX Oceans 11’s reverbs are:
    • 1. HALL – the rich reverberant sound of a grand concert hall
    • 2. SPRING – pays homage to the classic Fender® 6G15 tube spring reverb
    • 3. PLATE – the lush, warm reverb that got its name because a large metal plate was originally used to create it
    • 4. REVRS – emulates the quirky reverse reverb effect where a note’s reverb fades-in backwards. (Jimmy Page claims to have invented it.)
    • 5. ECHO –sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb
    • 6. TREM – reverb plus tremolo that’s applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes
    • 7. MOD – modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined.
    • 8. DYNA – Swell, gate and duck. Swell silences your notes’ attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you’re playing and fades it back in when you’re resting.
    • 9. AUTO-INF – Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one
    • 10. SHIM – Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal
    • 11. POLY – Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature


      • The Oceans 11 features powerful, yet intuitive “hidden” parameters accessible thru its Secondary Knob Mode that let the player take greater control of its effects.

      An internal Tails switch also provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters!

    • 11 different reverb types: HALL, SPRING, PLATE, REVRS, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIM and POLY
    • Tails switch. Select whether the reverb fades out naturally or stops immediately when the pedal is switched to bypass
    • Easy access to powerful “hidden” parameters thru Secondary Knob Mode
    • Able to produce infinite reverb you can play over in most settings
    • Power supply included
    Regular Price: $234.10
    Guaranteed Best Price: $176.00
  • Electro Harmonix Slap-Back Echo Reissue
    Electro Harmonix Slap-Back Echo Reissue
    1978 rarity reissued with modern updates and a tiny pico footprint!

    The 50s era gave birth to an iconic sound in which a single, short delay was utilized to add depth and rhythmic effect on countless recordings. The newly reissued all-analog design of the EHX Slap-Back Echo delivers this beloved classic sound and more in a Pico-sized pedalboard-friendly package. With three delay time settings and up to +20dB of boost, the Slap-Back Echo can achieve subtle doubling effects to intense bathroom reflections all with the distinct flavor of bucket-brigade (BBD) circuitry.

    Housed in EHX’s Pico-sized chassis, the Slap-Back Echo features Gain and Blend knobs as well as a Time switch. The Gain knob controls the input signal before the echo circuit and also adjusts the overall volume at the output with a boost of up to +20dB. The Blend knob mixes the dry signal and the echo signal from 100% dry to 100% echo. The Time switch selects between three different delay times: 45ms, 65ms, and 100ms.
    • Independent gain and blend knobs
    • Time switch with 45ms, 65ms, and 100ms delay times
    • Up to 20dB of boost
    • True-Bypass
    • Small, pico-sized chassis
    • 9V power supply included
    Regular Price: $107.70
    Guaranteed Best Price: $81.00
  • Electro-Harmonix Canyon Delay and Looper
    Electro-Harmonix Canyon Delay and Looper
    Packed with more power than pedals taking up more real estate, the compact Canyon features a collection of awe-inspiring effects. From pristine digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer… even an exquisite Deluxe Memory Man emulation. There are ten different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience.

    Features 11 modes:

    • 1. ECHO: digital delay
    • 2. MOD: modulated delay
    • 3. MULTI: multi-tap delay
    • 4. REVRS: reverse delay
    • 5. DMM: Deluxe Memory Man
    • 6. TAPE: tape delay
    • 7. VERB: reverb plus delay
    • 8. OCT: octave delay
    • 9. SHIM: shimmer
    • 10. S/H: sample and hold
    • 11. LOOP: looper mode w/max loop length
    Regular Price: $222.90
    Guaranteed Best Price: $176.00
  • Electro-Harmonix Holy Gral Nano Reverb Pedal
    Electro-Harmonix Holy Gral Nano Reverb Pedal
    Divine reverb for mere mortals. Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal that is priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "how did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb.

    Specs:
    -True bypass
    -Simply the finest "spring" reverb available
    -Smooth "hall" reverb tailored to the guitar
    -Flerb combines flanging with spatial reverb for a unique ethereal sound
    -96DC-200BI power supply included

    Regular Price: $190.60
    Guaranteed Best Price: $137.90
  • EQR Ledges Tri-Dimensional Reverberaton Machine
    EQR Ledges Tri-Dimensional Reverberaton Machine
    Ledges, our most customizable reverb ever, is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it’s everything you’ve ever wanted and needed out of a reverb.

    The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb’s longest setting is the Hall (H) reverb’s shortest setting, the Hall reverb’s longest setting is the Plate’s (P) shortest setting, and the Plate’s longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedral™-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever.

    Ledges can go from an ‘80s slapback reverb mix to a bigger room spring reverb with a twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you’ll hear clearly by adjusting your gain.

    In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.

    • Tech Specs
    • Three switchable modes each deliver a unique blend of classic reverb tone:
    • Room Mode: from small to large room reverb
    • Hall Mode: from hall to cathedral-style reverb
    • Plate Mode: from large plate to mega plate reverb with nearly infinite reflections
    • Easily save and recall six user-assignable presets
    • User-assignable expression control over each of the three parameters
    • Two global operating modes which are indicated by the color of the Save/Recall switch: Green = Live Mode / Red = Preset Mode
    • Buffered bypass switching with tails features Flexi-Switch® Technolog
    • Lifetime warranty
    • Current Draw: 80 mA
    • Input Impedance: 1 MΩ
    • Output Impedance: 100 Ω
    • USA MAP/List Price: $199.00 USD
    • GTIN-12 (U.P.C.): 810019913617
    • SKU: EQDLEDGV1USA
    • Boxed Dimensions: 5.25 x 3.25 x 3.25″ (133.35 x 82.55 x 82.55 mm)
    • Out of Box Dimensions: 5 x 2.625 x 2.125″ (127 x 67 x 54 mm)
    • Boxed Weight: 16 oz. (453.6 g)
    • Out of Box Weight: 9.85 oz. (279.3 g)
    Price: $199.00
  • Fishman AFX AcoustiVerb Mini Reverb Pedal
    Fishman AFX AcoustiVerb Mini Reverb Pedal
    • Hall, Plate, and Spring Reverb Types
    • True Bypass with Buffered Bypass Option
    • Intuitive Decay Time, Tone, and Level Controls
    • Innovative Dual Path Routing
    • Super Compact Design Fits Almost Anywhere
    • 9V External Power Required (sold separately)
    HALL, PLATE & SPRING REVERBS FOR PERFECT TONE & AMBIANCE!
    Three quality reverbs – Hall, Plate, Spring – are blended in parallel with your direct sound while preserving your acoustic tone.
    The Reverb Time knob controls how long you hear the effect, and ranges from short to very large spaces. Tone knob affects only the reverb and not your direct sound. Similarly, the Level knob adds the effect into your signal chain without overwhelming the sound of your instrument.
    3 REVERBS DESIGNED FOR ACOUSTIC GUITAR
    SPRING
    Recreates the classic sound of a spring type reverb found in many electric guitar amplifiers
    HALL
    An all-around reverb with natural, resonate spaces capable of replicating rooms both small and large, with long reverb decay times
    PLATE Recreates the dense reflections and metallic characteristics of mechanical plate reverbs used throughout the 50’s, 60’s, and 70’s
    Price: $119.99
  • Ibanez Mini Analog Delay
    Ibanez Mini Analog Delay
    The mini-pedal market has been booming the past few years, so we felt the time was right to offer some of our most legendary pedals in new mini housing! Ibanez is proud to announce the new MINI pedal Family, including the Analog Delay. Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay Time knob in the middle. The range of delay time is 20ms to 600ms. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone. 100% Analog Circuitry allows for the warmth of tone that players desire from analog delays. With the ADMINI, enjoy a warm, classic, and exceptionally clean delay, all while saving some space on your pedalboard. •Repeat, Delay time and Blend controls •True Bypass •Delay Time: 20ms - 600ms •Power Consumption: 23mA@9V •Power Supply: External AC adapter (Use only DC 9V (Negative center pin))
    Regular Price: $199.99
    Guaranteed Best Price: $139.99
  • MXR Carbon Copy Analog Delay
    MXR Carbon Copy Analog Delay
    Go from crisp "bathroom" slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology. True bypass.
    Regular Price: $214.27
    Guaranteed Best Price: $149.99