Delay & Reverb

  • Boss RE-202 Space Echo Tape Delay
    Boss RE-202 Space Echo Tape Delay
    A Masterpiece Returns in the Modern Era
    Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

    Backed by intensive R&D and our latest innovations, the RE-202 faithfully delivers the authentic sound and behavior of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201’s magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colorful preamp circuit. And to take things even further, we’ve expanded the vintage Space Echo experience with lots of new features tuned for today’s music.

    Tape Echo Magic
    Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today’s CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colors the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that’s subtle and continually evolving.

    RE-201 Space Echo: Simply Legendary
    The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analog preamp circuitry was another key ingredient in the Space Echo’s rich sonic recipe.

    A Masterpiece Reborn
    Realized through the latest technologies and exhaustive analysis of several vintage RE-201s—including a pristine original unit from the BOSS and Roland factory archive—the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

    While previous BOSS designs captured the true sonic flavor and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, our engineers have fully reproduced all the complex, non-linear behaviors that contribute to the RE-201’s immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

    Retro Sound at Your Fingertips
    The RE-202 delivers the full vintage vibe of the RE-201—without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behavior is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

    With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviors of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

    Sonic Enhancements
    The RE-202 includes many new features that extend the Space Echo for today’s musicians. Twice the delay time is available, along with a fourth virtual tape head that unlocks five additional sound combinations. There’s also an echo type that changes the distance between the heads, something not possible with the original. In contrast with the mono RE-201, the RE-202 provides true stereo I/O and selectable operation for guitar or line-level devices. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing.

    Also included is a stereo version of the original spring reverb sound from the RE-201, along with hall, plate, room, and ambience types for additional versatility. Expressive Warp and Twist effects are available as well, allowing you to launch the sound into outer space with the press of a footswitch while performing.
    Modern Control
    To complement its vintage heart and soul, the RE-202 has all the modern features you’d expect from an advanced delay pedal. There are four onboard memories for storing and recalling favorite sounds, and 123 more are accessible via MIDI program change. Tap tempo is also on hand, as well as selectable delay carryover when switching memories. It’s also possible to mute the dry signal for parallel effect setups and studio usage. Expanded control is available via external footswitches, an expression pedal, and MIDI, including real-time operation of multiple parameters at once.

    Features
    • Authentically recreates the sound and behavior of the legendary Roland RE-201 Space Echo
    • Classic multi-head tape echo sound with expanded delay time
    • Original three-head configuration plus additional tape head for 12 unique echo combinations
    • Independent stereo reverb section with original spring reverb type plus hall, plate, room, and ambience
    • Saturation control for adding magnetic tape compression and preamp coloration
    • Wow & Flutter control for introducing varying levels of natural tape modulation
    • Choose between new and aged tape conditions
    • Selectable input modes for optimum performance with instruments and line-level gear
    • Warp and Twist effects with footswitch control
    • Select between the unprocessed analog dry signal or the modeled sound of the original Space Echo preamp
    • Four onboard memories plus the current panel settings
    • Save and select 127 memories via external MIDI program change
    • Tap tempo and carryover functions
    • True stereo input and output
    • Expandable control via external footswitches, an expression pedal, or MIDI
    Price: $419.99
  • Boss RV-500 Reverb Pedal
    Boss RV-500 Reverb Pedal
    Journey to new dimensions of time and space with the RV-500, the most powerful and versatile reverb processor BOSS has ever produced. This multifaceted creation machine features class-defying 32-bit AD/DA along with 32-bit/96 kHz floating point processing and immense programmability, putting pro-level studio reverb and more at your feet.

    Twelve modes and 21 newly developed reverb algorithms deliver a huge range of textures, from complementary ambience to deep, immersive sonic atmospheres. And thanks to the RV-500’s high-octane DSP, you can access a full-featured digital delay along with every reverb patch, and even run two reverb patches at once! Adding in MIDI I/O, support for external footswitch/expression control, and USB for connection to the free RV-500 Editor/Librarian software, the RV-500 is simply the most advanced reverb pedal available, bar none.
    • Studio-level sound with first-in-class 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate
    • 12 modes with 21 reverb types, all with deep editing parameters
    • Includes a wide range of reverb types from standard to advanced, plus Roland classics such as the SRV-2000 Reverb and RE-201 Space Echo
    • A/B Simul mode allows you to use two reverb patches at once
    • Selectable carryover function allows reverb tails to continue with patch change or effect bypass
    • Powerful DSP provides independent digital delay with modulation along with each reverb patch
    • Graphic LCD and intensive real-time control options
    • 297 onboard patch memories and hands-on controls
    • Selectable buffered-bypass or true-bypass operation
    • MIDI I/O for interfacing with MIDI control devices
    • USB-MIDI for connecting to the RV-500 Editor/Librarian or a DAW
    • Runs on four AA-size batteries or PSA-series AC adapter
    Price: $399.99
  • Earthquaker Afterneath V3 Enhanced Otherworldly Reverberation Machine
    Earthquaker Afterneath V3 Enhanced Otherworldly Reverberation Machine
    The Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed!

    Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal…

    Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

    Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

    Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

    The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

    The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

    Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

    Flexi-Switch® Technology

    This device features Flexi-Switch Technology! This electronic switching style allows you to simultaneously use momentary and latching style switching.

    • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
    • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed.


    Tails / No Tails Switching

    The Afterneath is factory set in “tails mode.” This means that the wet signal will naturally decay and slowly fade to silence after the effect is switched off.

    To deactivate this feature:

    • Unplug the power cable from the power jack.
    • Hold down the footswitch and insert the power cable.
    • The LED will flash 3 times. You can now release the footswitch.
    • Follow the same steps to reactive tails mode.
    Price: $199.00
  • Earthquaker Astral Destiny
    Earthquaker Astral Destiny
    The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

    Reverb Modes
    • Abyss: Huge reverb with no octave effect
    • Shimmer: Adds an upper octave to the reverb tail
    • Sub: Adds a lower octave to the reverb tail
    • Sub Shimmer: Adds an upper and lower octave to the reverb tail
    • Astral: Adds an upper and lower octave combined with a regenerating tail
    • Ascend: Upward pitch bending
    • Descend: Downward pitch bending
    • Cosmos: Adds a regenerating fifth to the reverb tail


    The Astral Destiny operates between two different modes: Live or Preset. It comes with 8 factory presets, 1 for each reverb mode, that can be edited or completely overwritten for your enjoyment. The settings for Length, Depth, Rate, Tone, Mix as well as EXP assignment and Stretch length can all be stored and recalled. Any of the Astral Destiny’s 8 reverb modes can be used as the basis for each of the 8 presets.

    Tails or Full Bypass Switching

    Astral Destiny can operate in two different bypass states: Tails or Full Bypass. It comes factory set in Tails Mode which allows the reverb effect to naturally decay after the effect is bypassed and is indicated by a Green Activate LED. Full Bypass will cut the reverb effect completely when the effect is bypassed and is indicated by a Red Activate LED.

    Astral Destiny is buffered bypass which means that there will always be an active buffer present and it requires power to pass signal.

    Stretch Footswitch

    The Stretch footswitch doubles the length of the reverb effect while adding a temporary change in pitch.

    • Tap for an immediate pitch change.
    • Hold for a temporary pitch bending effect.
    Price: $199.99
  • Earthquaker Devices LTD Afterneath V3
    Earthquaker Devices LTD Afterneath V3
    Now available in a new, limited edition colorway!

    The Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed!

    Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal…

    Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.

    Overwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!

    Elsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect.

    The Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves & fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.

    The “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.

    Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.

    Flexi-Switch® Technology

    This device features Flexi-Switch Technology! This electronic switching style allows you to simultaneously use momentary and latching style switching.

    • For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
    • For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch, the effect will be bypassed.


    Tails / No Tails Switching

    The Afterneath is factory set in “tails mode.” This means that the wet signal will naturally decay and slowly fade to silence after the effect is switched off.

    To deactivate this feature:

    • Unplug the power cable from the power jack.
    • Hold down the footswitch and insert the power cable.
    • The LED will flash 3 times. You can now release the footswitch.
    • Follow the same steps to reactive tails mode.
    Price: $199.99
  • Earthquaker Ltd Ghost Echo V3 USA Brain Dead Custom Powder Signal Green
    Earthquaker Ltd Ghost Echo V3 USA Brain Dead Custom Powder Signal Green
    This extra special Ghost Echo will be limited. The Brain Dead Ghost Echo is the same Ghost Echo that you know and love, just with extra special art, and extra spiffy Brain Dead designed packaging. Limited edition Ghost Echo Vintage Voiced Reverb collaboration with international creative studio Brain Dead.

    You hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you!

    Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix, but we like to think of it more as how scary the overall effect is.
    • All-analog signal path
    • True bypass
    • Silent relay-based switching with Flexi-Switch® Technology
    • Lifetime warranty
    • Current Draw: 86 mA
    • Input Impedance: 10 MΩ
    • Output Impedance: 1 kΩ
    • Boxed Dimensions: 5.75 x 3.25 x 3.25 in.
    • Out of Box Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
    • Weight:10 oz (295 g)
    Price: $199.00
  • Electro Harmonix Grand Canyon Delay and Looper
    Electro Harmonix Grand Canyon Delay and Looper
    The Grand Canyon is EHX’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects.

    The pedal provides superior sound quality, up to three seconds of delay time, tap tempo and nine tap divide settings, stereo output, 13 presets, programmable EXP pedal settings, high quality analog bypass with soft switching and more. The Grand Canyon’s 13 modes are:

    1. ECHO – pristine 24-bit digital delay with available bit crush/sample rate reduction and low/high pass filtering

    2. MOD – Modulated delay, yields rich flanger, chorus, vibrato, warble and more

    3. MULTI – Multi-tap delay, set the exact number of echo repeats up to 31. Includes adjustable swell or decay volume envelopes on repeats.

    4. REVERSE – Reverse delay, an easy-to-use reverse delay with an intelligent pick detection algorithm for great sounding reverse echoes

    5. DMM – Deluxe Memory Man, re-creates the luscious tone of EHX ‘s legendary bucket-brigade delay pedal

    6. TAPE – Tape Delay, simulates the organic sound of an analog tape, echo machine including tape distortion, wow and flutter

    7. REVERB – Plate reverb plus echo. A reverberant echo where each repeat is followed by a wash of gorgeous plate reverb. Can also be used as a pure reverb without the delay

    8. PITCH – EHX’s critically acclaimed polyphonic pitch shifting plus digital delay provides pitch-shifted echoes and cascading echo repeats

    9.SHIM – Shimmer generates a rich octave-shifted wash of shimmering soundscapes

    10. SAMPLE/HOLD – Sample and hold, senses a note being played and produces echoes indefinitely until another note is detected

    11. DRUM – Magnetic drum echo that faithfully emulates a classic Binson Echorec® style delay. Features an assortment of playback head configurations that let you create musical, rhythmic, echo patterns

    12. DOUBLE – Thickens up a mono signal or creates a stereo spread. Includes detune and delay time offset of the left and right outputs

    13. LOOPER – Looper with up to 16 minutes of recording time. Includes unlimited overdubs, undo/redo, dedicated stop button, loop fade-out, reverse and speed adjust.
    Regular Price: $390.50
    Guaranteed Best Price: $308.20
  • Ibanez Mini Analog Delay
    Ibanez Mini Analog Delay
    The mini-pedal market has been booming the past few years, so we felt the time was right to offer some of our most legendary pedals in new mini housing! Ibanez is proud to announce the new MINI pedal Family, including the Analog Delay. Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay Time knob in the middle. The range of delay time is 20ms to 600ms. True bypass switching provides the shortest, most direct signal path, as well as the cleanest tone. 100% Analog Circuitry allows for the warmth of tone that players desire from analog delays. With the ADMINI, enjoy a warm, classic, and exceptionally clean delay, all while saving some space on your pedalboard. •Repeat, Delay time and Blend controls •True Bypass •Delay Time: 20ms - 600ms •Power Consumption: [email protected] •Power Supply: External AC adapter (Use only DC 9V (Negative center pin))
    Regular Price: $171.42
    Guaranteed Best Price: $119.99
  • MXR Carbon Copy Analog Delay
    MXR Carbon Copy Analog Delay
    Go from crisp "bathroom" slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology. True bypass.
    Regular Price: $214.27
    Guaranteed Best Price: $149.99
  • MXR Echoplex Delay Pedal
    MXR Echoplex Delay Pedal
    The Echoplex Delay comes delivers the legendary tones of the EP-3 tape echo unit with a hi-fi all-analog dry path and a simple control interface, including an Age control to "age" your repeats. No tape cartridges required! The Echoplex EP-3 tape echo unit is famous for its deliciously warm, organic modulation and sweet musical voice—a key component to some of the most iconic guitar tones from the '70s onward. The original EP-3 units, however, are expensive, temperamental, and larger than a VCR.

    That's where the EP103 Echoplex Delay comes in. It's the size of a Phase 90, and it delivers the EP-3's legendary tones with a simple control interface and a hi-fi all-analog dry path. The Delay control sets the time between repeats—from 65ms to 750ms—the Sustain control sets the number of repeats, and the Volume control sets the output level of your repeats.

    Where the sound of this pedal really shines, though, is in Age mode. By default, your pedal performs as a perfectly-calibrated, factory-fresh tape echo machine would— bright and clear tape with subtle wow and flutter modulation. A quick push of the Volume knob lets you "age" the sound of your repeats, darkening the tone, upping the tape saturation (distortion), and increasing modulation and tape distress as you turn the knob clockwise.

    The EP103's delay signal gets the same tonal conditioning that the EP101 Echoplex Preamp provides, while the dry path is left untouched. For the full EP-3 experience, put that secret sauce on your dry signal by running the EP101 in front of the EP103.

    The Echoplex Delay also features tap tempo functionality, for up to 4 seconds of delay time, when you hook up an M199 MXR Tap Tempo Switch. The dry path is all analog with Constant Headroom Technology™—providing a full 20 volts of headroom—and a choice of true relay or trails bypass. The EP103 can be set for 100% wet mode along with stereo input and output modes. No tape cartridges required!
    Regular Price: $285.70
    Guaranteed Best Price: $199.99
  • MXR M-300 Reverb
    MXR M-300 Reverb
    The MXR Reverb delivers six distinct high end reverb styles, each exquisitely crafted and tuned by the award-winning MXR design team. It all comes in a standard-sized MXR box with a simple three-knob setup and a hi-fi analog dry path with a massive 20 volts of headroom thanks to Constant Headroom Technology™. Each reverb style is as richly detailed as any found in the highest-end rack units and plug-ins, and all you have to do to step through them is push the Tone knob.

    The PLATE setting provides a shimmering smooth wash of space that’s a go-to choice from the studio recording world. SPRING sets a new standard for truly authentic sounding reverb without coiled metal—a perfect recreation of the classic amp-based effect, with the Tone control taking you from dark vintage amp spring, through classic jangle, to bright surfy splatter. EPIC is a unique combination of multiple interwoven analog-tone delay lines and complex modulation—perfect for solos from that more shaded part of the lunar landscape. MOD throws down a plate-flavored spaciousness with richly organic modulation in the feedback path. The ROOM style adds subtle body and projection to your guitar tone at shorter decay times while longer decay times yield rich organic space that doesn’t wash out. PAD closes out the line-up with a unique combination of sub-octave + octave-up with echoes + "shimmer" + synth/organ modulation + reverb.

    Connect a Dunlop DVP series volume/expression pedal to the expression jack to toggle and blend between two different knob setting configurations. The Reverb includes 100% wet mode, stereo input and output capability, and true relay or trails bypass.

    Regular Price: $285.70
    Guaranteed Best Price: $199.99
  • NUX Atlantic Reverb and Delay Pedal
    NUX Atlantic Reverb and Delay Pedal
    The NUX Atlantic pedal covers several Delay and Reverb types that are very representative in history: 60's Tape-Echo, 70's BBD Analog Delay, 80's Digital Delay, Spring Reverb, Plate Reverb and Hall Reverb. The latest algorithms with Core Image Technology from NUX offers you not only these classic effects, but also modern Shimmer and Freeze effects that inspire you to create dreamy musical ideas! Its patented Smart TAP function automatically understands if you want to turn on/off the delay or tap in the tempo.

    NUX Atlantic Delay effects:
    • 70's (40ms - 400ms): Retro-delay meets modern technology, without losing the realistic BBD-effected repeats, so essential for capturing the 70's retro feel.
    • 60's (55ms - 550ms): A warm & dusty tape-echo machine effect, packed with an array of analog-only goodies. Saturated colors that turn any sound into vintage. Tweak the Repeat knob to the max and use the Time knob to get an experience, just like the real Tape-Echo Machine.
    • 80's (80ms - 800ms): A digital era invention, crystal clear repeats. Digitally-copied clean repeats carry your signal without absolutely zero color particles. This is the best option if you don't want to mix your favorite chorus with another colorization effect--or your favorite modulation effect.


    Smart Tap: Instantly synch-up your delays with the tempo you want to accompany. The NUX patented Smart TAP function is more convenient and smarter than normal tap tempo function.
    You don't have to confuse yourself by holding down the footswitch to enter the tap tempo mode. Now with the Smart TAP, you can simply tap footswitch to set the tempo anytime. TAP TEMPO Speed range is 125 ms - 1500 ms for all delay types.
    Before using the TAP TEMPO, you can set the TAP Division to control the delay speed and delay pattern.
    For example, it can be very difficult to use TAP tempo to set a super fast slap-back delay effect to play Rockabilly or Rock 'n Roll. By setting the Time knob to 1/4 and use the TAP TEMPO to sync the delay speed with the drum beat, you will be able to get the delay speed 4 times faster than your tapping speed. There you have it!
    Another suggestion: If the drumbeat is too fast to catch with the TAP TEMPO. Use 1/2 and tap the switch in half speed of the tempo, the delay speed will be twice as fast as your tapping. Problem solved.

    NUX Atlantic Reverb effects:

    • Spring Reverb: Creates a polyphonic atmosphere filter that catches the sound reflections from deep down spring reverb tank. You can adjust the tank size with the level knob and set the reflection distance with the decay knob.
    • Plate Reverb & Shimmer: Straight and clean reflections inside a flat-walled room. You can control the room-size with the Level knob and then tweak the Delay bounce point with the Decay knob.
    • If you hold down the Reverb switch, straight reflections will be heated and swirled throughout the inside of the room creating a Shimmer effect.
    • Hall Reverb: The sound of a well-designed hall. Whether the hall size is big or small, the reflections will be emitted by wall furniture. You can adjust the interior hall-size, from a small garage to a huge structure with the Level knob and increase or decrease the number of objects on the walls with the Decay knob. Less decay means more objects and faster reflection fading.


    Specs
    • 3 Delay Effects - 70's Analog, 60's Tape and 80's Digital
    • Delay Level, Time and Repeat
    • NUX Patented SMART TAP with Tap Subdivision Options
    • 3 Reverb Effects - Spring, Plate and Hall
    • Reverb Level and Decay
    • Plate Reverb with Shimmering Effect
    • TRS Input - Effect Loop Connection via Insert or "Y" cable
    • Input Level Switch (-10dB / +4dB)
    • Parallel or Serial Output and Inside Routing
    • Stereo Output
    • USB Port for firmware updates
    Regular Price: $210.00
    Guaranteed Best Price: $149.00
  • NUX Duotime Stereo Dual Delay Engine
    NUX Duotime Stereo Dual Delay Engine
    Duotime is a real stereo delay pedal with independent time / sub-division & repeat knobs. In the 80's, all of the professional musicians used rack-mount effects to run stereo delay. It was the golden era of legendary engineering like Lexicon Delta, TC 2290, Eventide H3000, and more. When we talked to "working musicians" we found that they were looking for a great stereo delay with a compact size and ultra-simple controls. So we discussed the absolutely essential requirements and developed the duotime Dual Delay Engine. It's ultra-musical, and easy to operate. So, let's dive-in and experience the most versatile delay pedal ever: Duotime offers analog delay, tape echo, digital delay, modulation delay, and verb delay.

    Analog Delay (40ms~402ms) is based on the bucket-brigade device (BBD), discrete-time analog delay. The PARAMETER tweaks your modulation depth. When LEVEL and REPEAT are at maximum, turn down the TIME KNOB to zero, and experience the natural infinite feedback of the old school BBD delay.

    Tape Echo (55ms~552ms) is based on RE-201 Tape Echo algorithm with NUX Core Image Technology. Use the PARAMETER to tweak the Saturation, and feel the distorted sound decay. Just like the real tape echo machine, when you adjust LEVEL and REPEAT to maximum, try adjusting the time knob down to zero, and you have infinite feedback and pitch shift flange.

    Digi Delay (80ms~1000ms) is based on the modern digital delay algorithm with magic compression and filter. After reviewing decades of delay algorithm evolution, we noticed musicians were not satisfied with the mathematical digital delay sound. So we added a bit of non-digital flavor—inspired by Strymon® and Neunaber® making the sound much more musical.
    PARAMETER controls the hardness of the repeat signals, so you can feel the unique compressed filter.

    null MOD Delay (20ms~1499ms) is based on the Ibanez DML algorithm; a weird and wonderful modulation delay. It was released in the 80's with experimental nature. We selected the most wonderful aspects highlighting the musical time sync modulation rate offering a simple, seamless romantic tone.

    VERB Delay (80ms~1000ms) is the way to make your delay sound 3 dimensional. Similar to our Atlantic Delay & Reverb, we added Shimmer into the Plate reverb algorithm. It became the iconic sound of our NUX reverb. Inspired by Kit Tang, the famous Hong Kong studio guitarist, Jamtrackcentral® artist, a master of different reverb parallels with different frequency bands to add to his effect yielding an authentic 3 dimensional sound. So we combined parallel digital delay, plate reverb, and various filter shimmers to offer you an unmatched sacred atmosphere to explore.
    PARAMETER controls the Plate reverb and shimmer mix.
    Regular Price: $210.00
    Guaranteed Best Price: $149.00
  • Strymon Bigsky Reverberator
    Strymon Bigsky Reverberator
    Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you're elevated into a glow of lush, glorious, radiant reverbs. To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.

    • Hand crafted, studio-class reverb algorithms deliver lush, gorgeous, and musically inspiring reverb experiences
    • Twelve reverb machines to choose from: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections
    • Seven front-panel tone shaping knobs: Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (Param knobs assignable per preset)
    • Additional menu parameters allow for easy customization of reverb sounds
    • 300 easily accessible and namable presets
    • Press-and-hold Infinite Sustain and Freeze functions, saveable per preset
    • Spillover and Reverb Persist modes, saveable per preset
    • Selectable Speaker Cabinet emulation for direct-to-PA gigs or recording applications
    Price: $479.00
  • Strymon Bluesky Reverberator
    Strymon Bluesky Reverberator
    Buy Now Lush, Majestic Reverbs. Insane DSP Power.

    The philosophy behind our blueSky Reverberator is simple—take a ridiculously powerful SHARC DSP and dedicate it to doing one thing only: producing the most lush, majestic and stunning reverbs ever. Many hours and sleepless nights in the Strymon sound design labs were devoted to developing the complex reverb algorithms found inside blueSky. We squeezed every last drop of processing power available.

    Whether you're a classic spring reverb fan or a studio rack aficionado, you'll find your mojo here. blueSky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. blueSky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you're in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, blueSky is equally at home on top of a studio console as it is in front of a tube amp.

    • Hand crafted, computationally intense Plate, Room and Spring algorithms
    • Normal, Mod and Shimmer modes per algorithm for extremely versatile reverb options
    • High Damp and Low Damp controls for über-flexible reverb tone shaping
    • Mod mode for a beautifully modulated spring, room or plate reverb
    • Shimmer mode for infinite pitch effects "in the tank"
    • Dedicated Pre-Delay control to fine tune reflection times
    • Stereo input and output
    • Favorite footswitch to save a favorite sound
    • True Bypass (electromechanical relay switching)
    • Selectable "trails" mode with high quality Analog Buffered Bypass
    • Adjustable +/- 3dB boost or cut when the effect is engaged
    • Powered with a standard 9V center negative DC supply. 250mA minimum
    • Strong and lightweight sky blue anodized aluminum chassis
    • Crafted with love in the USA
    • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
    • 115dB typical signal to noise
    • Analog dry path for a zero latency dry signal that is never converted to digital
    • 20Hz to 20kHz frequency response
    • +8dBu maximum input level easily handles instrument and line signals
    • Premium analog front end and output section
    • Super high performance DSP in a compact form factor
    Price: $299.00
  • Strymon blueSky V2 Reverb
    Strymon blueSky V2 Reverb
    Higher Elevation.
    The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.

    Reverberant Bliss.
    Whether you’re a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.

    blueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful.

    Intuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A/D and D/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.

    All New Features.
    Our second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

    Tone Shaping
    • A dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds.
    • A new Mod switch allows you to select the modulation depth for each reverb type.
    • A beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer.

    Hardware Improvements
    • A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.
    • In addition, you can now control blueSky with an expression pedal or MultiSwitch Plus.
    • All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

    MIDI
    • Full MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP/MIDI jack or USB.
    • And you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.
    Price: $379.00
  • Strymon Brigadier DBucket Delay
    Strymon Brigadier DBucket Delay
    Destroying the Analog / Digital Divide.

    In setting out to design Brigadier, we decided to take a super-powerful SHARC DSP and dedicate all of it’s horsepower to doing one thing and one thing only—delivering the best analog bucket brigade sound ever. We’ve utilized every last drop of DSP power, allowing Brigadier to deliver every minute detail and nuance that makes an analog delay special. Our hand crafted, processor-intense dBucket algorithm delivers all of the sonic complexities of analog bucket delays. No stone has been left unturned.

    Brigadier gives you all of the tone and none of the noise of regular old bucket brigade chips, unless of course you choose to add it back with our exclusive Bucket Loss control! Go from warm and clean repeats all the way to noisy, saturated delays. Couple that with dedicated modulation and filter controls, tap tempo, and assignable expression pedal input, and you have yourself a versatile delay powerhouse.

    • Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip and the associated clock driver circuitry
    • Bucket Loss control to vary the amount of loss that occurs at each stage of the dBucket
    • 3 delay time modes: Short, Medium and Long
    • Tap Tempo modes for quarter, dotted eighth, and eighth note triplets
    • Filter control for adjusting the tone of the delay repeats
    • Dedicated modulation control
    • Stereo output
    • High impedance mono input (internal jumper enables selectable TRS stereo input) Please read this FAQ for more info on the TRS input.
    • Expression pedal input with selectable control over any knob parameter
    • Connect our optional Favorite switch to save a favorite preset
    • Tap Tempo and Bypass footswitches
    • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
    • 115dB typical signal to noise
    • Analog dry path for a zero latency dry signal that is never converted to digital
    • 20Hz to 20kHz frequency response
    • +8dBu maximum input level easily handles instrument and line signals
    • Premium analog front end and output section
    • Super high performance DSP in a compact form factor
    Price: $299.00
  • Strymon Deco Tape Saturation
    Strymon Deco Tape Saturation
    Mid-Century Maverick.
    Our journey begins with the early recording studios of the '50s and '60s. The introduction of reel-to-reel tape machines and the creative engineers that used them brought on some of the fattest sounds imaginable. These early machines really were the first effect pedals—they just wouldn't have fit on your pedalboard! From the inherent warmth and luscious tape saturation—to the forgotten art of how these machines were manipulated—they are capable of creating a huge range of beautiful, distinctive, and enveloping sounds.

    Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard. Deco's Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening it with subtle tape-driven transparent overdrive. The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.

    Sound Design
    • Detailed recreation of the mechanics and technology of two vintage studio reel-to-reel tape decks and their interactions
    • Nuanced sonic delivery of the classic saturation effects of the tape record/playback process
    • Simple and intuitive Lag Time knob allows for slapback delays, tape echoes, tape flanging, tape chorusing Two Tape Saturation adjustment and tone shaping
    • knobs: Saturation, Level Three Doubletracker adjustment and tone shaping knobs: Lag Time, Blend, Wobble
    • Three Doubletracker blend types to tailor doubletracked sound: Sum, Invert, Bounce Five "hidden" knobs for deep tone tweaking: High Trim, Low Trim, Auto-Flange Time, Wide Stereo Mode, +/- 3dB Boost/Cut
    • Press and hold studio-inspired Auto-Flange effect
    Ins, Outs & Switches
    • High impedance mono input (internal jumper enables selectable TRS stereo input)
    • Stereo output
    • Two signal routing modes: Standard, Wide Stereo Mode Individual Tape Saturation Bypass and Doubletracker Bypass footswitches
    • Expression pedal input allows the connection of either an expression pedal (for selectable control over any knob parameter), external tap pedal (for remote time control of Doubletracker), or Favorite switch (to save a Favorite preset)
    Audio Quality
    • Super low noise, high performance 24-bit 96kHz A/D and D/A converters
    • 110db signal to noise
    • +8dBu maximum input level easily handles instrument and line signals
    • 20Hz to 20kHz frequency response
    • Premium analog front end and output section Super high performance SHARC DSP in a compact form factor
    • 32-bit floating point processing
    More
    • True Bypass (electromechanical relay switching) High quality, tranparent Analog Buffered Bypass mode
    • 9V center negative DC power supply included, 250mA current draw
    • Strong and lightweight electroless nickel plated aluminum chassis
    • Designed and built in the USA
    Price: $299.00
  • Strymon Dig Dual Digital Delay
    Strymon Dig Dual Digital Delay

    DELAY DOPPELGÄNGER.
    DIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.

    BACK TO THE FUTURE.
    Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever. Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. Multiply these distinct voicings by two and get DIG—your perfect dual delay ally.

    Price: $299.99
  • Strymon Dig V2 Dual Digital Delay
    Strymon Dig V2 Dual Digital Delay
    Delay Doppelgänger.
    DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

    Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.

    Rack To The Future.
    Rack-mount digital delays of the ’80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

    Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early ’80s adaptive delta modulation mode, the mid-’80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode.

    Multiply these distinct voicings by two and get DIG — your perfect dual delay ally.

    Classic Sound, New Features.
    Our second generation DIG keeps the same distinctive rack-mount digital delay tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

    MIDI
    Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG’s EXP/MIDI jack or USB-C connection.

    Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset.

    300 MIDI preset locations are available for loading and saving your favorite settings.

    Hardware Improvements
    A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.

    All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

    Tone Knob
    This powerful control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o’clock for a flat response.
    Price: $379.00