Pitch, Harmonizer, Filter

  • BOSS HARMONIST PITCH SHIFT AND HARMONY PEDAL
    BOSS HARMONIST PITCH SHIFT AND HARMONY PEDAL
    Meet the new BOSS harmonist, with four intelligent pitch-shift effects and three-voice harmony in one convenient unit. Among the effect modes are Harmony, Pitch Shifter, and Detune, plus the all-new Super Bend for authentic pedal-bending effects and wild three- and four-octave pitch sweeps. You can even control pitch with an optional expression pedal. The harmony function is fast and simple to use, and supports a variety of interval patterns. It’s easy to create rich, three-voice harmony: choose a major or minor key, and set SHIFT to 3-VOICE—that’s it! The PS-6 Harmonist is an unbeatable combination of superior sound quality, ease of use, and powerful pitch effects, all under one hood.
    • Four effect modes in one stompbox: Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend)
    • Easily create two- or three-voice harmonies with selectable key and voicing
    • High-quality pitch shifting
    • Three-voice Detune capability
    • Super Bend provides up to four octaves of extreme pitch bending
    • Control pitch via expression pedal (optional BOSS FV-500L/H or Roland EV-5)
    • BOSS five-year warranty


    The PS-6 is the new-generation pedal for harmony shifting. Sound quality has been improved dramatically thanks to the DSP that is unparalleled in power. With the PS-6, you can render complex harmony voicings beautifully, naturally, and easily.

    The PS-6 can generate two or three voices, such as direct/third/fifth, in each of the following modes: Pitch Shifter, Detune, and Harmony. This will add rich depth to your guitar sound. Detune broadens the sound in a natural way, as the PS-6 allows 3-voice detuning with slightly raised and lowered pitch added to the direct signal. Voices can also be pitch-shifted one octave up and a fifth below your note — great for arpeggio-style playing, for example.

    This amazing effect bends pitch across a 7-octave span, from –3 to +4 octaves! Set the Rise and Fall time to your taste. You can control the bending effect in real time with the pedal’s knob or from an external pedal such as Roland’s EV-5 Expression Pedal (sold separately).

    Manipulate a wide variety of effects using simple operations. In Harmony mode, for example, all you have to do is select the key, specify whether it’s major or minor, and use the SHIFT knob to select the voicing you want to use. The Shift knob switches between the different pitch settings available in each mode.

    BOSS compact pedals are world-famous for their great sound as well as their road-tough construction, consistency, and reliability. The PS-6 inherits this BOSS-proven design, offering guitarists a solidly constructed pedal that’s built to withstand decades of demanding use.
    Price: $170.99
  • Boss MO-2 Multi Overtone
    Boss MO-2 Multi Overtone
    EXPRESSIVE COMPACT WITH DISTINCTIVE, ALL-NEW TONES
    Powered by Multi-Dimensional Processing technology (MDP), the MO-2 Multi Overtone uses your guitar’s harmonic characteristics to create a wide range of extraordinary new sounds.

    Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP
    Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound
    Works well with both clean and distorted guitar tones, and also bass guitar
    Ultra-responsive to volume changes and playing dynamics
    Three different sound modes; wide range of tonal adjustment with simple controls
    Mono or stereo output
    BOSS five-year warranty
    Price: $147.99
  • Digitech Freqout frequency dynamic feedback generator
    Digitech Freqout frequency dynamic feedback generator
    The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position.
    Regular Price: $330.00
    Guaranteed Best Price: $239.99
  • DigiTech Whammy Pitch-Shifting Pedal
    DigiTech Whammy Pitch-Shifting Pedal
    A legendary effect that's spanned 23 years and graced over 700 million albums. There is no doubt that the DigiTech Whammy Pitch-Shifting guitar effects pedal is a pedal board must have. Pitch shifting effects help a guitar performance stand out, and the Whammy pedal has been a core pitch shifting effect for influential artists for over 20 years. Whammy artists have won over 60 Grammys using the Whammy pitch shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Fame, and can be found on over 700 million albums around the world. The legendary Whammy pedal is the premier pitch shifting pedal for any guitarist's board, and it only gets better with classic single note Whammy bends, chordal pitch shifting and true bypass.
    Regular Price: $373.00
    Guaranteed Best Price: $269.00
  • Earthquaker Bit Commander V2 Octave Synth
    Earthquaker Bit Commander V2 Octave Synth
    The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.

    Like all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves.

    Analog, true bypass and hand made one at a time in the republic of Akron Ohio.
    Price: $199.00
  • Earthquaker Data Corruptor Modulated Harmonizing
    Earthquaker Data Corruptor Modulated Harmonizing

    Modulated Monophonic Harmonizing PLL
    Okay Brainiac, it’s time to put down that graphing calculator and get to work decoding your brand new Data Corrupter!

    The Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.

    Price: $229.00
  • Earthquaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer
    Earthquaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer
    Polyphonic Pitch Shifting Modulator

    Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists and noisemakers. Totally not for purists and/or tone hounds, there are no “natural sounds” that will come from this box. It takes modern DSP and uses it as a tool of future past to create real time pitch shifting using digital oscillators. The sound is much different than most modern day pitch shifting devices. It was imagineered to be wild and out of control and slightly imperfect while still tracking up and down the guitar neck without glitching out.

    A cold digital beast made to pretend it has feelings. It will do basic polyphonic harmonies from a 4th down through a 3rd up and every atonal pitch in between. You may add in an accompanying octave of the harmony by bringing up the Secondary function control. You can take it way beyond and open up your third eye by bringing in the Magic.

    The Magic is the heart of the Rainbow Machine. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descents, chaos chorusing, shrieks, pixie trails and wealth of other general mayhem inducing noises. The pitch can be controlled by an external expression pedal for extra fun!

    The Rainbow Machine can be used on bass, keys, vocals or anything else you can dream up! This device has become a main stay of so many studios and touring musicians that we have lost count!

    All digital wet signal with an all analog dry signal, true bypass switching and handmade one at a time by warm blooded human beans in the swamps of Akron, Ohio.
    Price: $229.00
  • Electro Harmonic Mel 9 Tape Replay Machine
    Electro Harmonic Mel 9 Tape Replay Machine
    Pays homage to nine of the coolest Mellotron® sounds: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir

    - Works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs!
    - Also works with bass guitar down to the open A string as well as keyboards within the limits of its polyphony (5 notes) and range (A1 to A5)
    - Includes independent Effect and Dry volume controls so you can create the perfect mix at the Effects output
    - Dry Output jack outputs your input signal at unity gain
    - Attack control sets the volume swell speed. As it’s turned clockwise the notes fade in more gradually
    - Sustain control adjusts the release time after a sound is stopped. As it’s turned clockwise, the fade out time increase
    - Comes with a standard EHX 9.6DC200mA PSU
    - Dimensions in inches: 4.0 (w) x 4.75 (l) x 2.25 (h)
    - Dimensions in mm: 102 (w) x 121 (l) x 89 (h)

    Regular Price: $328.60
    Guaranteed Best Price: $259.50
  • Electro Harmonix Attack Decay Tape Reverse Simulator
    Electro Harmonix Attack Decay Tape Reverse Simulator
    The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. Originally called a Tape Reverse Simulator, it’s known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes and bowed instrument effects. The freshly designed EHX Attack Decay reinterprets the classic and keeps its cool factor, but adds some modern features for convenience and enhanced functionality.

    It can produce a single volume envelope like the original, or, with Poly engaged, put separate volume envelopes on each note you play. The built-in Harmonix fuzz is now a fully controllable distortion with gain, tone and volume controls. The effects loop allows the musician or sound designer to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give the user total control over their Attack Decay!
    • Volume envelope manipulation with adjustable Attack and Decay times
    • Mono mode: one volume envelope at a time, the envelope resets when you play a new note
    • Poly mode: gives each note you play its own envelope
    • Built-in, fully adjustable, Harmonix fuzz enhances the volume envelope effect and produces bowed instrument sounds
    • Built-in effects loop allows for your own pedals to be inserted onto the volume envelope
    • Expression pedal or CV control over every knob on the Attack Decay
    • Save and recall up to three presets
    • Power adapter included
    Regular Price: $207.50
    Guaranteed Best Price: $156.00
  • Electro Harmonix Pitch Fork Plus
    Electro Harmonix Pitch Fork Plus
    The Pitch Fork®+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it’s your ultimate harmonizer.

    Features:
    Dedicated volume controls for both Shift voices and the Dry signal.
    • Two outputs, Main and Aux, with multiple routing options.
    • 10 unique factory presets plus the ability to easily save/recall 100 programs.
    • A Bypass footswitch that toggles between effect on and buffered bypass. In latch mode it switches between effect and bypass mode. In Momentary mode the effect is on when the FS is held down and the pedal enters bypass when it’s released.
    • A User footswitch that’s programmable and can be assigned to a variety of functions such as muting either Shift voice or jumping to a preset program. It features a dedicated LED.
    • An EXP input for EXP or CV control over a broad selection of parameters in three sub-menus: Frequency, Glissando and Volume.
    • An EXT input for connecting an external foot controller like EHX’s Triple Foot Controller which enables players to change modes, enter/exit sub-menus and load presets.

    • Eight modes, including X-MOD, which features cross-modulation that creates FM and ring mod type effects, LATCH, based on the original Pitch Fork, but with enhancements to the Momentary mode functionality

    Regular Price: $312.60
    Guaranteed Best Price: $246.70
  • Electroharmonix Bass9 Bass Machine Pedal Processor
  • The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9® Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.
    • A rotary switch allows the user to select the sound of their choice, as follows:
    • • PRECISION: Pays homage to the iconic Fender P Bass®
    • • LONGHORN: Emulates the Danelectro® 6-string bass, ideal for baritone type tones
    • • FRETLESS: Features both electric and standup fretless basses.
    • • SYNTH: A tribute to the classic Taurus® Synthesizer
    • • VIRTUAL: Lets the user adjust the bass’s body density and neck length for a variety of bass sounds
    • • BOWED: Classic bowed bass
    • • SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
    • • 3:03: A polyphonic salute to the sought after Roland TB-303® vintage bass synth
    • • FLIP-FLOP: Inspired by EHX’s Octave Multiplexer, it provides a ’70s style logic driven sub-octave generator that tracks without glitches.

  • The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

  • Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument’s tone control.
  • The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
Regular Price: $345.10
Guaranteed Best Price: $259.50
  • Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter
    Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter
    The Pitch Fork transposes an instrument’s pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage. The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal. The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it’s pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass. In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal’s range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork’s footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input. The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

    •  Transposes over a +/- three octave range
    •  Three shift modes: up, down or dual
    •  11-position Shift knob selects the transposition interval
    •  EXP input lets you control pitch shift or glissando via optional expression pedal
    •  Latch and Momentary modes affect how the footswitch and EXP input behave
    •  Comes with EHX 9.6DC-200mA AC Adapter, can also run off a 9V battery
    •  Dimensions in inches: 2.75 (w) x 4.5 (l) x 2.1 (h)
    •  Dimensions in mm: 70 (w) x 115 (l) x 54 (h)

     

    Regular Price: $250.60
    Guaranteed Best Price: $197.80
  • Used Pine Box/MAE Fever Dream Fuzz Filter Pedal
    Used Pine Box/MAE Fever Dream Fuzz Filter Pedal
    Used Pine Box/MAE Fever Dream in excellent condition!

    "FEVER DREAM IS A CONTROLLED STATE OF DELIRIUM

    This dream consists of a dual input device that's sending a gnarly fuzz absolutely screaming into a modular filter

  • Gritty harmonic tremolo? Check.
  • Desert rock cocked wah? Check.
  • Self oscillating filter? Check.
  • Spaghetti ufo? Check.

    EMBRACE.THE.FEVER.
  • Create a soundscape of oscillating waves, then use the included CB microphone to call them home.

    In tamer settings, become the lo-fi jazz singer you've always dreamed of.
  • Dream on a pedalboard
  • Dream on desk.
  • Dream on the top of your mother's electric piano.
  • As long as you're dreaming."

    Call us if you have any questions, thanks!